Whistler’s Artistic OriginsWhistler’s Artistic Origins

0 Comments

The 1980s was an exciting decade for arts and culture in Whistler. As this article first came out in Pique Newsmagazine on International Women’s Day (March 8), we wanted to highlight a few of the women who sparked the arts scene at this time.

Whistler was in its early stages of development, dominated by sports and a lively bar scene. There were some theatre groups, dances, and musicians, and events such as the Alta Lake Community Club’s Fall Fair, a fundraiser that featured local goods and crafts. The Squamish Arts Council, which was established in the early 1970s, had a column in the Whistler Question advertising their offerings. And there were many artists in the area, including Isobel MacLaurin – Whistler’s first professional artist.

Isobel MacLaurin taught workshops at the first Whistler Children’s Festival in 1983. Whistler Question Collection.

The community recently came together to celebrate the life of Isobel. A true ski bum, she was a strong advocate for the growth of arts in the community. Her artwork is seen across the valley through murals and trail signs, she inspired others to spark their own creativity, and she was involved in almost every artistic effort that came about throughout her life (Arts Whistler/Whistler Arts Council, the Whistler Singers, The Point Artists Run Centre, and more).

After moving to Whistler in 1979, textile artist Inge Nielsen became involved in the adult education craft workshops at Myrtle Philip School, as well as hosting her own knitting workshops at the Blackcomb Day Lodge. Inge also sold her own goods at the 1980 Fall Fair, and that same year, opened Whistler’s first dedicated local artisan store, “Inge’s Gift and Craft Store,” in the Clocktower building. It was not a regular souvenir shop; all items on display were created by artists within Whistler or around British Columbia. She continued workshop offerings once her shop was opened and became further involved in the arts once Whistler’s first arts council was created.

At an art exhibit showcasing the works of Roy and Olga Tomlinson, the couple present Inge Nielsen and Glenda Bartosh a stone lithograph to be the first artwork added to WCAC’s permanent collection. The event was sponsored by Inge’s Gifts and Crafts and was held at the Delta Mountain Inn. Whistler Question Collection, October 1982

In 1981, fresh out of journalism school, Glenda Bartosh became a reporter for the Question. A year later, she bought the newspaper and became one of the youngest publishers in Canada. That same year, Glenda and other community members started the Whistler Community Arts Council (WCAC), now known as Arts Whistler. Their goal was to fulfill local needs for more artsy events.

Tuesday night craft class, part of the Adult Education courses that were offered at Myrtle Philip School. Left to right: Inge Nielsen, Jenny Busdon, Ruth Howells, Marilyn Willoughby, and Kelly Fairhurst. Whistler Question Collection, 1979.

WCAC’s introductory event occurred in the summer of 1982. It was an art exhibit at the Blackcomb Lodge and featured seventeen local artists. According to Glenda, they received an overwhelmingly positive response that showed the need for this type of organization.

By the end of the decade, the arts council had established many programs that are still running today. Margaret Long led the first Whistler Children’s Festival. Joan Richoz and Tamsin Miller organized the first Performance Series (now Arts Whistler Live!). Gail Rybar organized the first Bizarre Bazaar (now the Arts Whistler Holiday Market).

At the close of the 1980s, our own Florence Petersen opened the Whistler Museum, and Anne Popma founded the Whistler Centre for Business and the Arts. This organization further grew the cultural sector in the following years. Thanks to foundations laid in the 1980s, Whistler’s arts scene continued to grow in many ways through the 1990s and continues to thrive today.

Whistler’s Answers: March 7, 1985Whistler’s Answers: March 7, 1985

0 Comments

In the 1980s the Whistler Question began posing a question to three to six people and publishing their responses under “Whistler’s Answers” (not to be confused with the Whistler Answer).  Each week, we’ll be sharing one question and the answers given back in 1985.  Please note, all names/answers/occupations/neighbourhoods represent information given to the Question at the time of publishing and do not necessarily reflect the person today.

Some context for this week’s question: In 1985, Whistler did not have a skating rink (one was supposed to be included in the Whistler Resort Centre but was not included in redrawn plans for the Whistler Conference Centre), the Whistler Medical Centre was located in a trailer and then a basement, the Whistler Public Library Association was yet to be formed, and the Whistler Skiers’ Chapel was located in today’s Creekside.

Question: Which of the following would you rank most important and why? Skating, health care, golf course, library and a chapel.

Jim Kennedy – Labourer – Chaplainville

Health care and a library are the most important. I think they are needed because we have a growing community. I’m a hockey player and a golfer myself and I’d like to see those, but I’d have to say those first two are needed. I think a library would be useful too for reference purposes.

Rolly Greczmeil – Avionics Mechanic – Richmond

I’d change two and one around. Why? Because I’ve been in there a couple of times. Of, (the clinic) is okay, but if this is going to be a world class place, that’s one area that’s got to be improved.

Norah Llewellyn – Housewife – Reno, Nevada

Of all those choices, I would say emergency services and health are the most important following a library, chapel and then a skating rink/tennis court. Why health first? Well, when an emergency occurs that’s life threatening you have to have the facilities here, and that’s more important than recreational needs.

Tokum Film NightsTokum Film Nights

0 Comments

When searching for a place to hold a film screening, a cabin in the woods in probably not the first venue that comes to mind. Tokum Corners, however, hosted multiple screenings of films captured by George Benjamin in the 1970s.

George Benjamin first came to Whistler Mountain on a ski trip in 1968 before moving to the area in 1970. He briefly stayed at Toad Hall before moving into Tokum Corners with Rod MacLeod and John Hetherington. Though they bought the building from Daisy Barnfield for $1,100 (about $6,800 today), they leased the land from BC Rail as it was right beside the train tracks on the southwest end of Alta Lake.

Tokum Corners, as seen across the tracks in 1971. Benjamin Collection.

Tokum Corners had no running water and no electricity when they first moved in. Within the first couple of years, they managed to connect the property to the power lines running through the valley, followed soon after by the addition of a well and water system, though Tokum Corners never was connected to any kind of sewer system. The building itself was once described by Hetherington as “a shack sort of in the woods” and was reportedly often repaired using found materials, creating a somewhat hodgepodge appearance.

Thanks to Benjamin, who at the time was a semi-professional photographer, we have quite a few images of Tokum Corners in the archives. He donated over 8,200 images taken during his time in Whistler to the archives in 2010, all of which have now been digitized and many of which have been shared in social media posts, articles and more. The collection, which includes shots of ski patrol, baseball games, and trips to Squamish to do laundry, provides a candid look at life for some Whistler residents in the 1970s and early 1980s.

A creative approach to entering Alpine Meadows after a flood. George Benjamin Collection.

Along with thousands of photographs, Benjamin also shot 16mm films during his time in the area. He was able to follow along with ski patrol on Whistler Mountain while they worked on avalanche control and captured some impressive slides on film, as well as events and happenings in the valley. They films would be screened at Tokum Corners, usually with a soundtrack (at least one person has told us that Pink Floyd’s 1973 album The Dark Side of the Moon was a fitting accompaniment to avalanches) and viewers crowded in.

Tokum Corners was dismantled by the early 1990s and no trace of the building remains on the site today. Evidence of its importance as a cornerstone of social life in the valley, however, remains in photographs, films, memories, and even “Tokum,” the ski run on Whistler Mountain that got its name from the residence.

An avalanche set off during control on Whistler Mountain. George Benjamin Collection.

Recently, the museum was able to acquire the Benjamin Film Collection and, thanks to the support of the Whistler Blackcomb Foundation, purchase equipment to digitize 16mm film. Last summer, our collections student Liam McCrorie digitized the Benjamin films along with other 16mm films in the archives, such as the collection of Jim McConkey’s films that he donated in 2016. This spring, the museum will be hosting a couple of different events to share these films, so be sure to keep an eye out for upcoming announcements soon!

Whistler’s Answers: February 28, 1985Whistler’s Answers: February 28, 1985

0 Comments

Another year, another year of questions and answers!

In the 1980s the Whistler Question began posing a question to three to six people and publishing their responses under “Whistler’s Answers” (not to be confused with the Whistler Answer).  Each week, we’ll be sharing one question and the answers given back in 1985.  Please note, all names/answers/occupations/neighbourhoods represent information given to the Question at the time of publishing and do not necessarily reflect the person today.

Some context for this week’s question: This one seems pretty self explanatory, so we think we’ll leave it there.

Question: Should nightclubs be allowed to have specially-priced drink nights?

Neil McKechnie – Manager – Toronto

I think they’re crazy to do it because they’re losing money at it. It’s sad if you have to offer liquor at half price. We have trouble with it in Toronto, where there’s a very conservative government. If people want to get hammered they can get liquor from the store there and take it up to their rooms.

Stephen Ryan – Waiter – Alpha Lake Village

They’re usually on nights that a waiter wouldn’t be working – if it’s a Thursday you could compare it to a Friday night in college. It’s mostly locals, and most people don’t drive when they drink. It’s not a problem during the week.

Noel Warkman – Ski Instructor – Slopeside

No. I am not in favour of them, although it would be nice if it was done in the right frame of mind, and I think it could be. It’s popular but you have too many people getting really, really drunk really quickly.