Category: Museum Musings

These articles have also appeared in the Whistler Question or Pique Newsmagazine in the Whistler Museum’s weekly column.

Dairy Delivery by Dugout: Local Cream and Cow’s Milk Carted by CanoeDairy Delivery by Dugout: Local Cream and Cow’s Milk Carted by Canoe

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Featured Image: A dairy cow at the Barnfield Farm [1920s]. Whistler Museum Collection.

The lay of the local landscape was much different in the early 1900s. The area’s epicentre was Alta Lake. Prospecting, trapping and logging, followed by fishing and later farming dominated, giving reason and rise to the development of a small community and a handful of lodges in the valley beneath London Mountain. 

London Mountain (since renamed Whistler) likely earned the named due to a group of original prospectors who formed The London Group in 1903. One of those early prospectors was Alfred Barnfield. 

Barnfield left London, England, arriving in Squamish in 1886 or 1887. He was later hired to inspect the length of the Pemberton Trail. The rough route ran from Burrard Inlet to Squamish up through the area now known as the Whistler Valley northward to Pemberton and onto Lillooet. First developed with the intention to access the Interior’s goldrush and as a cattle trail, the route was completed in 1887. It remained the only way to access Alta Lake (then called Summit, but renamed for the purposes of mail delivery, for there were too many Summit Lakes in the province, with the establishment of the area’s first Post Office in 1915) up until the arrival of the Pacific Great Eastern Railway in 1914. It was through Barnfield’s inspection that he first came to visit the shores of the lake where he would establish a farm some years later. 

Barnfield returned to Alta Lake, pre-empting 160 acres of Crown Land on its northeast end, in 1905. Pre-emption was a practice common in British Columbia in the late 1800s to early 1900s, which allowed settlers to acquire Crown Land for development and agriculture. After improving it, the land could be purchased at a low price. As per the agreement with the government, Barnfield was required to build a cabin and clear a portion of the land. To do so, he backpacked building supplies over the Pemberton Trail from Squamish.

Barnfield continued to prospect with the London Group, staking claims in the Garibaldi/Black Tusk area.

On August 1, 1910 Alfred Barnfield married Daisy Hotchkiss. He was 42, she was 19. Despite the age difference, the marriage appeared to be a loving one and the two raised four children. 

The Barnfield Farm had 14 cows at the peak of its production, chickens and a few pigs. Alta Lake was becoming a fishing destination with the opening of Rainbow Lodge in 1915 and subsequent establishments opening up around Alta lake. The Barnfield family’s farm was able to fulfill a local much-appreciated-niche: daily fresh milk and cream delivery. They fulfilled orders by dugout canoe. Groceries and dry staples were able to be delivered by train, coming north from Vancouver; however, fresh dairy demanded local production. In a 1993 interview with the Museum, Alfred’s daughter Vera, reminiscessed about how he made his deliveries every day, even when the weather was questionable. “He never missed a morning and sometimes it would be so stormy he just couldn’t hardly make that canoe go.”  Whatever the weather, Alfred would end his deliveries with a visit to Rainbow Lodge, where he would be brought up to date on all the local gossip of the burgeoning lake community … which would then be repeated and rowed around!

Rainbow Lodge was the largest customer of the Barnfield Farm, reputedly purchasing 80 quarts of milk, four quarts of whipping cream and two quarts of table cream daily for their guests.

The Barnfields moved their farm operation to Brakendale in 1926. However, every summer, they continued to load their cows and chickens onto the Pacific Great Eastern Railway (PGE) and travel north to Alta Lake. How long they continued this practice is unconfirmed, however the Barnfields did maintain full ownership of their quarter-section up until the 1970s. 

Alfred Barnfield passed away in 1960, shortly after celebrating his 50th wedding anniversary to Daisy, who passed in 1980. 

In the early 1970s, the bulk of the property was sold for the development of the Whistler Cay subdivision and Adventures West. Small lots were left to the three remaining Barnfield children (one died in WWII). The remaining 1 ⅓ acres was sold in 1988, becoming ‘Barnfield Place’, a nod to the legacy of initial local land development.

Just because it was documented, doesn’t mean we have it…Just because it was documented, doesn’t mean we have it…

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The archives depends on you: dispelling some misconceptions about the process of building the Museum’s collection

 “Archives are the documentary by-product of human activity retained for their long-term value. […] Like people, archives are diverse,” explains the International Council on Archives.

In simple terms, the archives is a euphemism for a ‘collection of story parts.’

In a recent Pique article, I, the Whistler Museum’s Events and Community Manager, was quoted as saying, “an archive is a living, breathing, exciting thing. ‘Archive’ is a verb.”

The action of the archive, however, is only expanded by donations of materials; adding chapters, pages, periods and punctuation to the make-up of a place… and herein, lies one of the major misunderstandings on how the broadening of our museum collection works.* Just because an event happened and it was photographed, or a document was produced relating to the town in some way – does not automatically mean that we have it.

In short, the archive is infused by gifting. We are dependent on donations This can also mean that the archive can be disproportionately reflective of a place’s demographic. This, too, is true for our Whistler archive.

The Museum’s archive can be viewed as an ever-expanding puzzle; whilst we try to configure matching pieces and identify those missing. The process is equally as diverse as the people and collections who breathe life into it: a reciprocal exchange between gifting and receiving.

The local archive is only made broader — more reflective of those who have, and still do, live here – by donations of material: from physical elements (text, photographs, video/film assets) to non-physical ‘oral histories’ that people come in and record. The Museum’s repository is expanded by people contributing to being part of place-making and meaning. Please never underestimate the value of your experience. The Museum does not have an age limit.

Speakers Series are also a valuable way of documenting reflections and past events, recording our stories through the power of conversations — which add to the record — becoming platforms for thought. Again, I was cited in the same March 20th article by Luke Faulks as saying: “…a museum is an exciting place. Your history sheds light on your present, and it’s a springboard for how we inform our future.”

The Museum invites you to become an active participant and co-creator of our storied happenings by attending one of our events, by volunteering to record your tale or by donating relevant items you may have.

This segues into another often misunderstood element of how the Museum is able to process items received. It’s not instantaneous.

 We are a not-for-profit organization that operates with a small staff of three. Currently, we have an additional person added to the team, hired under contract for the sole purpose of inventorying, appraising, processing (arranging and describing) the donation of the Bruce Rowles 70,000+ photographic collection. This entire process has already taken seven months, working full time, and is still ongoing. Ideally, the last step for archivists is to digitize our collections, which is important for preservation of degrading materials and for easy access to these images. The process is time and labour-intensive. A collection of 20,000 images could take one year to digitize, ensuring it meets Canadian archival standards. It is, however, a donation we are exceedingly happy and grateful to receive: a benefit to the entire community. Bruce wanted to ensure his life’s work would be remembered and appreciated. A selection of his photography will be exhibited at the Whistler Museum from April 24th to June 14th.

As further means of perspective, the Whistler Museum’s entire photographic collection currently exceeds 300, 000 items.  With the addition of the Rowles collection, it will be nearing 400, 000. We have approximately 90, 000 of those items digitized. We try to make many of those items available through a variety of means: from special exhibitions, to being posted on our social media networks, online on our archival database to highlighting them through articles and being featured in events.

The local archives is an expansive and immersive space: infused by your continuous contributions into the building of a pastiche-of-place.

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*It would be remiss of us not to acknowledge the past wrongs associated with many colonial museum practices: with a legacy of taking, extracting without permission and stealing from Peoples. The Whistler Museum has participated in the repatriating of some items that were donated, that we did not feel were ours to have. Together, we learn through the past how to co-create collaborative futures…

Broads on Board: Broadening the Sport, Part IIBroads on Board: Broadening the Sport, Part II

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Featured Image: L – R: Punchy, Nes and Jibber / Photographer Credits: INISIGHT Collection, Shannon Doohan; Dagan Beach; Rich Glass

This article continues on from last week’s first installment featuring the reflections of three pioneering women from the early ‘golden age of snowboarding’ – ‘Punchy’ (Sherry [Newstead] Boyd), ‘Nes’ (Vanessa Stark) and ‘Jibber’ (Jennifer Godbout) – on the progression and progress of the sport, of the culture. These three ladies are all still making their respective marks and all helped carve a track for girls to come.

Punchy — a former member of the National Team, Alpine Dispatch worker and snowboarding stuntwoman for film — recalls “I actually had an older gentleman [skier] chase me down and come up to me as though he was going to assault me. And then I took off my goggles […] to show him that I was a girl. And he stopped. I said, ‘are you going to assault me?’”

In the beginning, there was no women-specific gear. No boards, no boots, no nothing. “I’d just wear extra socks,” smiles Jibber – former snowboarding coach and current member of Whistler Search and Rescue and backcountry split-board guide.  Suited up, girls were often assumed to be boys.

“I’ve been whipped by poles. But as soon as I’ve like turned around and they found out I was a girl, they were like, oh my God…,” Jibber recalls. Not only were these women navigating their way through the ‘Boys’ Club’ of their own sport, they were also manoeuvring through the initial tensions of ‘skiers versus snowboarders’ on the slopes.

Punchy reflects on past workplace dynamics where she was blacklisted for being a snowboarder, where it was insinuated and continuously affirmed: “you’re one of them and you are not welcome here.”

Nes — the first female to ever do ‘Air Jordan’ on a board, celebrated visual artist and former snowboard Park Ranger — inserts: “Even now, I ride the gondola and parents will be like, ‘Oh, don’t talk to them, they’re snowboarders!’”

Jibber suggests that a pivoting point for the culture of snowboarding has been parenting: “I think there’s a lot of dads that now have daughters that are competing. And I think that is the huge difference because all of a sudden they’re like, ‘well, my daughter deserves an opportunity.’ No shit, she does. … It’s different now that you have a daughter, eh? Treat them differently, eh? I mean, people have grown up, too. And everything is different. But I also remember.”

And remembering is key. Learning from our histories – and her-stories – are what help us collectively shape our futures.

And it also important to note that the under – or mis-representation of women – is not exclusive to snowboarding. It was, arguably, a pervasive social practice of the time that females (and males) are still trying to overcome. “Women in business, women in all sports, like it didn’t matter the sport, we were all experiencing that same thing,” comments Jibber.

But things are changing. For the better. Much better. Way better.

Punchy, now married to World Cup Ski Race Winner Rob Boyd, recalls “as much as snowboarders always got a bad rap from the uptight skiers, they very much cared for their own. There was a lot of love, a lot of camaraderie.”

And it’s that continued love and admiration that shines through, as these trailblazing women all beam with pride at the upcoming generation of female snow (and skate!) boarding go-getters, carving their own unique courses. Local names like Leanne Pelosi with her Full Moon Film and associated community of projects, the initiatives of Marie-France Roy, Jess Kumera’s The Uninvited film series and the work of the Real Wild Kittens and but a few of the many groundbreaking initiatives spearheaded by women: pioneering powerhouse pivots in the sport embracing multi-facetted inclusion.

Jibber comments on how she wanted to “make a deeper, broader path for the women behind me. And then I hope they do the same. And that’s always something that I really believed in is that you pay it forward.” And the notion of caring for ones’ own is clearly being evidenced in the sport, in the culture. She continues, “I think there’s a lot of incredible women who are forging forward. They’re just stomping down that path and making it better for the generation behind them.”

As Punchy urges: “don’t ever discount yourself. Believe that you are capable.” And that’s exactly what the gals are proving (still and again!)

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The Museum is hosting an exciting Speakers Series ‘Recording the Scene: The POWerful History of Local Snowboard Documentation’ with an all-star cast on April 13, 7:00 pm. Purchase tickets through www.whistlermuseum.org.

Broads on boardsBroads on boards

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Feature Image: From Left to Right: Nes, Jibber and Punchy (L to R: INSIGHT Collection, Grey Eymundson; Whistler Question Collection; INSIGHT Collection, Shannon Doohan)

“The most exciting thing to watch right now is women’s snowboarding, women’s skateboarding,” exclaims Jen ‘Jibber’ Godbout – one of the original gals who made her mark amongst the 90s ‘bad-boy’ local boarding scene.

‘Broads on Board’ features the reflections of three pioneering women from the early ‘golden age of snowboarding’ – ‘Punchy’ (Sherry [Newstead] Boyd), ‘Nes’ (Vanessa Stark) and Jibber – on the progression and progress of the sport, of the culture. These three ladies are all still making their respective marks and all helped carve a track for girls to come. All three have also been instrumental in helping the Museum develop its snowboarding archive, coming in and recording Oral Histories. This is an important step in helping gather, save, share and honour the rich snowboarding history here in Whistler.

During the early genesis of snowboarding, there is no denying that the focus was on the men of the era. “It really proves the point that we needed a showcase and we needed equal opportunity. […] We just weren’t given the same opportunities. We didn’t get the same exposure,” reflects Jibber: a respected former snowboarding coach and current member of Whistler Search and Rescue and backcountry split-board guide.

There were fewer girls shredding back in the early 90s. There were “not a lot of us,” reflects Nes, but women definitely were there. There were “amazing standout girls,” recalls Punchy; gals who both inspired and defied norms, they just weren’t being featured much in magazines or vids. It is important to note that the under – or mis-representation of women – is not exclusive to snowboarding…and the intention here is not to finger-point, rather to honour and celebrate.

“It was so much harder back then,” comments Nes, for women in snowboarding. Recognized as being the first female to ever do ‘Air Jordan’ on a board, and equally celebrated visual artist, the former snowboard Park Ranger and Camp of Champions coach beams as she says: “I love seeing what’s going on now. Females are so much more supported, so much more, and they’re all in it together…there’s way more community. […] Back then, it was, like, you’re on your own.”

“When you have that equality, it really brings the whole sport back,” remarks Jibber, who was told directly that “they were never going to take a woman to the Olympics as a coach.” At the time, she was coaching Mercedes Nicholl, before her debut at her first Olympics.

And things aren’t entirely equal yet – “It’s much better than it used to be,” qualifies Nes – but, females in snowboarding are getting recognition beyond just the stigmatized status of being ‘pro hos’; rather, as legitimately strong athletes, competitors, coaches and powerhouse “chargers”, as Punchy puts it. “I think there was a certain sense, amongst the boys, that girls were just inherently lame.” Boyd earned her nickname, though affectionately granted, for her noted ability to be able to assert herself as ‘one of the guys’.

Nes recalls, “Back then, I’d be, the token girl on this company, and they’d say ‘Oh, yeah, all the guys are going and gonna hit all these sick pillows’ – which was what I wanted to do — but the girls are gonna do a shoot on the icy mountain.” There simply wasn’t as much funding or willingness to back female riders. “Girls weren’t even allowed to do big air contests.”

But, as Punchy — a former member of the National Team, Alpine Dispatch worker and snowboarding stuntwoman for film – recalls, “if a girl wasn’t lame and actually, you know, like was a charger, then they were welcomed in.”

Part II continues next week …