Category: From the Archives

Behind-the-scenes insights into the inner workings of a community museum and archives.

Dairy Delivery by Dugout: Local Cream and Cow’s Milk Carted by CanoeDairy Delivery by Dugout: Local Cream and Cow’s Milk Carted by Canoe

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Featured Image: A dairy cow at the Barnfield Farm [1920s]. Whistler Museum Collection.

The lay of the local landscape was much different in the early 1900s. The area’s epicentre was Alta Lake. Prospecting, trapping and logging, followed by fishing and later farming dominated, giving reason and rise to the development of a small community and a handful of lodges in the valley beneath London Mountain. 

London Mountain (since renamed Whistler) likely earned the named due to a group of original prospectors who formed The London Group in 1903. One of those early prospectors was Alfred Barnfield. 

Barnfield left London, England, arriving in Squamish in 1886 or 1887. He was later hired to inspect the length of the Pemberton Trail. The rough route ran from Burrard Inlet to Squamish up through the area now known as the Whistler Valley northward to Pemberton and onto Lillooet. First developed with the intention to access the Interior’s goldrush and as a cattle trail, the route was completed in 1887. It remained the only way to access Alta Lake (then called Summit, but renamed for the purposes of mail delivery, for there were too many Summit Lakes in the province, with the establishment of the area’s first Post Office in 1915) up until the arrival of the Pacific Great Eastern Railway in 1914. It was through Barnfield’s inspection that he first came to visit the shores of the lake where he would establish a farm some years later. 

Barnfield returned to Alta Lake, pre-empting 160 acres of Crown Land on its northeast end, in 1905. Pre-emption was a practice common in British Columbia in the late 1800s to early 1900s, which allowed settlers to acquire Crown Land for development and agriculture. After improving it, the land could be purchased at a low price. As per the agreement with the government, Barnfield was required to build a cabin and clear a portion of the land. To do so, he backpacked building supplies over the Pemberton Trail from Squamish.

Barnfield continued to prospect with the London Group, staking claims in the Garibaldi/Black Tusk area.

On August 1, 1910 Alfred Barnfield married Daisy Hotchkiss. He was 42, she was 19. Despite the age difference, the marriage appeared to be a loving one and the two raised four children. 

The Barnfield Farm had 14 cows at the peak of its production, chickens and a few pigs. Alta Lake was becoming a fishing destination with the opening of Rainbow Lodge in 1915 and subsequent establishments opening up around Alta lake. The Barnfield family’s farm was able to fulfill a local much-appreciated-niche: daily fresh milk and cream delivery. They fulfilled orders by dugout canoe. Groceries and dry staples were able to be delivered by train, coming north from Vancouver; however, fresh dairy demanded local production. In a 1993 interview with the Museum, Alfred’s daughter Vera, reminiscessed about how he made his deliveries every day, even when the weather was questionable. “He never missed a morning and sometimes it would be so stormy he just couldn’t hardly make that canoe go.”  Whatever the weather, Alfred would end his deliveries with a visit to Rainbow Lodge, where he would be brought up to date on all the local gossip of the burgeoning lake community … which would then be repeated and rowed around!

Rainbow Lodge was the largest customer of the Barnfield Farm, reputedly purchasing 80 quarts of milk, four quarts of whipping cream and two quarts of table cream daily for their guests.

The Barnfields moved their farm operation to Brakendale in 1926. However, every summer, they continued to load their cows and chickens onto the Pacific Great Eastern Railway (PGE) and travel north to Alta Lake. How long they continued this practice is unconfirmed, however the Barnfields did maintain full ownership of their quarter-section up until the 1970s. 

Alfred Barnfield passed away in 1960, shortly after celebrating his 50th wedding anniversary to Daisy, who passed in 1980. 

In the early 1970s, the bulk of the property was sold for the development of the Whistler Cay subdivision and Adventures West. Small lots were left to the three remaining Barnfield children (one died in WWII). The remaining 1 ⅓ acres was sold in 1988, becoming ‘Barnfield Place’, a nod to the legacy of initial local land development.

Icons Gone — brought back centre-stage!Icons Gone — brought back centre-stage!

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Featured Image: Keven “Big Kev” Mickelsen presents at last year’s Icon Gone. Whistler Museum Collection.

It could be argued that a signpost or a benchmark of a town’s maturity can be tabulated by how many significant symbols/things/happenings/elements-uniquely-local that have come to be associated with it, can now be referred to in the past tense… measuring a community’s forward trajectory by its ‘icons gone’.

Lamenting the legacy of legends-left-behind is the focus of next week’s ‘ICON GONE’ event put on by the Whistler Museum at the Maury Young Arts Centre/Millenium Place. The event began in 2008 and ran for many years up until 2013. It was resurrected last year with yet another all-star cast.

In a lively evening of friendly competition (tinged with debaucherous debate…it is, after all, 19+), six notable locals will take to the stage and argue for what they think is the largest loss in the landmark of Whistler-specific icons. The audience (through applause-and-yell-o-metre) along with a panel of equally notable judges will crown a champion. Nudity was the winner of last year’s debate. Citta’ (pronounced Cheetah’s, for those who don’t know), the runner up.

This year’s panel promises to deliver on all levels, covering the extremes from the raunchy to the contemplatively serious. Past topics have included everything from Fixed-Grip Chair Lifts to A-Frames, Squatters Cabins to The Boot Pub, the Passenger Train and Toonie Races to the Toad Hall Poster; from the Snow, Water, Earth Race to the Party Barge, Mountain Man Beards to Beavers. Gravity – as a topic, as a subject — even won one year.

The purpose of the evening is two, even three-fold. Undeniably, entertainment and community-fun are a major focus. However, the event also serves as a way to highlight the Museum’s local archive – and remind people of its absolute essential relevance. Through the eyes of the present we are given tools to reflect upon our past. ICON GONE serves to illustrate the value of preserving our stories, our legacies, our legends and some of the many ways which we can keep them alive. Humour is one of them, a method of honour. The archive is not a dusty, musty collection – it is active, vital and alive – infused only by our present perspectives.

In a December 5, 2025 editorial titled ‘Who remembers Whistler?’ Pique Newsmagazine editor Braden Dupuis deftly articulated the value of the Museum. ICON GONE offers the opportunity to showcase Dupuis’ points, worth repeating anew:

“If we don’t invest in institutions that collect, preserve, archive, and explain, we lose more than objects and photographs. We lose context. Identity. A sense of place beyond postcards and ski packages.

Left unchecked, the version of “Whistler history” that remains will be curated by marketing budgets: sleek, sanitized and built for outside consumption. It’s cultural erasure in its most casual, passive form.

[…]

By preserving history, we don’t resist change, we anchor it in respect. We ensure Whistler doesn’t forget it is more than a ski-lift and slopes, a playground for the rich or an ATM for faceless corporations—that it is a real community built by people, labour and continuity.”

In the spirit of continuity – through raucous reverence — let us celebrate the cornerstones of this community…

On Friday, April 17 – at 7:00 pm – join judges Ace MacKay-Smith, Julia Murray and Brandon Barrett as together we applaud debaters Feet Banks, Princess Stephanie, Stinky, Laugh Out Live’s Rebecca Mason, lawyer Tanya Kong — as they set to historically hammer home their iconic topic of choice!

For more information and Tickets, please visit www.whistlermuseum.org

Whistler Weasels into Business: Mink, Marten and Mountain Movers Whistler Weasels into Business: Mink, Marten and Mountain Movers 

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Feature Image: Nita Lake Fur Farm owner Russell Jordan moved to the area in 1915. Photo: Whistler Museum Collection.

One hundred-and-one years ago, the first fur farm was established in Whistler. One hundred years ago, the local industry doubled, with a second business setting up shop. 

The currency of furs was always one of the mainstays of early residents. The hills were set with traplines extending into the surrounding ranges, however the establishment of farms where animals were raised in captivity – not caught in the wild – began in 1925.

The Lineham Mink Farm was developed on Green Lake – a half mile from where the Pacific Great Eastern Railway ran past the 40-mile post (signifying 40 miles from the Squamish station). P.D. Lineham was a retired businessman from Vancouver who sought out a simpler life in the vast outdoors. His answer to his wilderness quest-for-quiet was to start farming wily weasels.

Lineham’s breeding animals were registered stock – imported from Québec – that had been bred in captivity for generations. By the following spring, the farm had 40 mink and this number was expected to steadily increase.

“The climate of this district is particularly suited to mink and the best pelts are taken from here. They are very little trouble to raise and the losses among the pups are practically nil,” Alex Philip (of Rainbow Lodge renown, the first visitor destination in the valley, established in 1915) reported to Country Life in B.C. magazine. The year this statement was published was 1926. That same year, The Nita Lake Fur Farm began: the first and only marten farm in the province. 

Marten are relentless chewers and diggers. Owner-operator Russell Jordan had his work cut out for him. He rose to the challenge posed by the notorious beasts by constructing pens with 16-gauge wire mesh. The cages were built on the rise of land between Alpha and Nita Lakes and filled with miniature trees. He started with eight pairs of marten, described as being ‘the finest stock that have ever been obtained through careful selection during two trapping seasons.’

Russell first moved to the community of Alta Lake in 1915 with his wife and two children. He worked as a logger and the family purchased the Alta Lake Hotel. In an unusual move for the time, Russell was soon divorced by his wife – and she left for Vancouver with the children. The divorcé continued to operate the hotel (which later burnt down in 1933) while venturing into the pelt-rearing business.

Meanwhile, the Lineham Mink Farm began doing business throughout Canada and Europe. Furs were worth $39 each, while his breeding stock could fetch between $150-$200 a pair. This was a lucrative business at the time.

Both Whistler weasel ventures were proving to be worthy investments…but, their prosperity was short lived. The Wall Street Crash of 1929 marked the end to both local businesses and times turned suddenly much leaner in the valley.

Fast forward to the 1970s and, locally, the name ‘Weasel Workers’ suddenly takes on a much different meaning. No mink, no marten, no furs, no pelts … but, behind every major ski race held on Whistler, it has been said, ‘there was a pack of Weasels’.

The Whistler Weasels were a volunteer organization that began as a group of six, led by Bob Parsons, who prepped the courses for the first World Cup Ski Races on the mountain. The crew earned their moniker  – not for being ‘deceitful or treacherous’ as the name implies when referring to a person – but, rather due to their work on the ‘Weasel’  section of the Dave Murray Downhill which was too steep for the snowcats of the time to make it up. These weasels would flatten the course by foot. The organization was formally registered as the Coast Alpine Event Club in 1984, but the name didn’t stick.

What did stick around was the continued volunteer efforts of the group. The Whistler Weasel numbers soared into thousands during the 2010 Olympic and Paralympic Games, proving the polecats to be a vital and invaluable component for the execution of the Games. 

Weasels, simply put, form an integral part of the historical, community-sustaining efforts of this place. 

The Whistler Museum’s current Special Exhibition is titled Building the Spirit: Whistler’s Volunteers of the 2010 Games. The Weasel Workers feature as part of the exhibit. We look forward to welcoming you! The exhibit runs until March 29. More info: www.whistlermuseum.org

Digitizing Alta LakeDigitizing Alta Lake

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Long before the Whistler Museum and Archives Society (WMAS) was officially founded in 1987 – when it was just a few shelves tucked away in the basement of the Whistler Public Library inside Municipal Hall – the idea of preserving the valley’s summer resort history was already taking root. Even then, the vision was clear: to safeguard and share the stories of the people who helped shaped this community, and to make sure they would not be forgotten.

That vision was driven by a promise. Florence Petersen, the founder of WMAS, made a personal commitment to Myrtle Philip who, alongside her husband Alex, opened Rainbow Lodge in 1914 and brought the first wave of tourism to the Alta Lake and later Whistler area. That promise was simple yet profound: to ensure that Whistler’s history and the lives and experiences of its residents would not be forgotten.

One of the many photos in the Philip Collection.

By the late 1970s and early 1980s, efforts to collect oral histories, photographs, and films documenting life in the valley were already underway. The first items added to the museum’s archival collection reflect this early work, including 1,700 images related to Myrtle and Alex Philip and Rainbow Lodge, spanning from 1895 to 1986. These mostly black-and-white photographs, along with various 16mm films, capture a transformative period in the valley’s history, showcasing the growth of the Alta lake community and the broader evolution of Whistler as a tourist destination.

Preserving these materials is a responsibility we take seriously. Following Canadian Conservation Institute (CCI) standards, we handle photographs using cotton gloves and store them in acid-free, archival-safe sleeves. These simple yet essential steps ensure that these fragile items remain in good shape for future generations.

Florence Petersen chats with Myrtle Philip. Philip Collection

Of course, preservation is only part of the job. Sharing Whistler’s history with the public, without risking damage to delicate originals, means creating digital copies of these items. Over the years, we’ve steadily expanded our capacity to digitize our collection. Today, we can convert a wide variety of media, including 16mm and 8mm film reels, colour slides, photographic prints, VHS tapes, Hi8, and DVCam formats.

Digitization is carried out using lossless formats like TIFF (Tag Image File Format), which preserve every pixel of the original image. A single high-resolution TIFF can be as large as 150 MB – about the size of 14 JPEGs on a modern smartphone. Unlike JPEGs, which compress data and average out similar pixels (sometimes causing those “blocky” images you see when streaming video on a slow internet connection), TIFF files retain the full fidelity of the original image.

Once digitized, we render to more manageable JPEG versions for everyday use, including social media, educational materials, and exhibits. These smaller files are easier to handle and help us tell Whistler’s story more widely and effectively.

Acid-free boxes, sleeves and more help keep archival materials safe.

To ensure the safety of our digital archives, we back up all high-resolution files to offsite servers and secure long-term storage systems, including LTO (Linear Tape-Open) tapes, which provide up to 30 years of reliable “cold” storage of these digital items.

WMAS is proud to be able to continue Florence’s promise and Myrtle’s legacy. Every photo we scan, every film we digitize, and every story we preserve is another piece of Whistler’s remarkable history saved – not just for today, but for generations to come.

WMAS will be hosting a film screening tomorrow (Wednesday, June 18) at the Point Artist-Run Centre, featuring archival films shot around the Alta Lake community, including 16mm films from the Philip Collection. This screening will offer a fascinating look at films from the Whistler Museum’s archives, shown right on the shores of Alta Lake. Get your tickets for the event here!