Category: Museum Musings

These articles have also appeared in the Whistler Question or Pique Newsmagazine in the Whistler Museum’s weekly column.

Whistler’s Artistic OriginsWhistler’s Artistic Origins

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The 1980s was an exciting decade for arts and culture in Whistler. As this article first came out in Pique Newsmagazine on International Women’s Day (March 8), we wanted to highlight a few of the women who sparked the arts scene at this time.

Whistler was in its early stages of development, dominated by sports and a lively bar scene. There were some theatre groups, dances, and musicians, and events such as the Alta Lake Community Club’s Fall Fair, a fundraiser that featured local goods and crafts. The Squamish Arts Council, which was established in the early 1970s, had a column in the Whistler Question advertising their offerings. And there were many artists in the area, including Isobel MacLaurin – Whistler’s first professional artist.

Isobel MacLaurin taught workshops at the first Whistler Children’s Festival in 1983. Whistler Question Collection.

The community recently came together to celebrate the life of Isobel. A true ski bum, she was a strong advocate for the growth of arts in the community. Her artwork is seen across the valley through murals and trail signs, she inspired others to spark their own creativity, and she was involved in almost every artistic effort that came about throughout her life (Arts Whistler/Whistler Arts Council, the Whistler Singers, The Point Artists Run Centre, and more).

After moving to Whistler in 1979, textile artist Inge Nielsen became involved in the adult education craft workshops at Myrtle Philip School, as well as hosting her own knitting workshops at the Blackcomb Day Lodge. Inge also sold her own goods at the 1980 Fall Fair, and that same year, opened Whistler’s first dedicated local artisan store, “Inge’s Gift and Craft Store,” in the Clocktower building. It was not a regular souvenir shop; all items on display were created by artists within Whistler or around British Columbia. She continued workshop offerings once her shop was opened and became further involved in the arts once Whistler’s first arts council was created.

At an art exhibit showcasing the works of Roy and Olga Tomlinson, the couple present Inge Nielsen and Glenda Bartosh a stone lithograph to be the first artwork added to WCAC’s permanent collection. The event was sponsored by Inge’s Gifts and Crafts and was held at the Delta Mountain Inn. Whistler Question Collection, October 1982

In 1981, fresh out of journalism school, Glenda Bartosh became a reporter for the Question. A year later, she bought the newspaper and became one of the youngest publishers in Canada. That same year, Glenda and other community members started the Whistler Community Arts Council (WCAC), now known as Arts Whistler. Their goal was to fulfill local needs for more artsy events.

Tuesday night craft class, part of the Adult Education courses that were offered at Myrtle Philip School. Left to right: Inge Nielsen, Jenny Busdon, Ruth Howells, Marilyn Willoughby, and Kelly Fairhurst. Whistler Question Collection, 1979.

WCAC’s introductory event occurred in the summer of 1982. It was an art exhibit at the Blackcomb Lodge and featured seventeen local artists. According to Glenda, they received an overwhelmingly positive response that showed the need for this type of organization.

By the end of the decade, the arts council had established many programs that are still running today. Margaret Long led the first Whistler Children’s Festival. Joan Richoz and Tamsin Miller organized the first Performance Series (now Arts Whistler Live!). Gail Rybar organized the first Bizarre Bazaar (now the Arts Whistler Holiday Market).

At the close of the 1980s, our own Florence Petersen opened the Whistler Museum, and Anne Popma founded the Whistler Centre for Business and the Arts. This organization further grew the cultural sector in the following years. Thanks to foundations laid in the 1980s, Whistler’s arts scene continued to grow in many ways through the 1990s and continues to thrive today.

Tokum Film NightsTokum Film Nights

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When searching for a place to hold a film screening, a cabin in the woods in probably not the first venue that comes to mind. Tokum Corners, however, hosted multiple screenings of films captured by George Benjamin in the 1970s.

George Benjamin first came to Whistler Mountain on a ski trip in 1968 before moving to the area in 1970. He briefly stayed at Toad Hall before moving into Tokum Corners with Rod MacLeod and John Hetherington. Though they bought the building from Daisy Barnfield for $1,100 (about $6,800 today), they leased the land from BC Rail as it was right beside the train tracks on the southwest end of Alta Lake.

Tokum Corners, as seen across the tracks in 1971. Benjamin Collection.

Tokum Corners had no running water and no electricity when they first moved in. Within the first couple of years, they managed to connect the property to the power lines running through the valley, followed soon after by the addition of a well and water system, though Tokum Corners never was connected to any kind of sewer system. The building itself was once described by Hetherington as “a shack sort of in the woods” and was reportedly often repaired using found materials, creating a somewhat hodgepodge appearance.

Thanks to Benjamin, who at the time was a semi-professional photographer, we have quite a few images of Tokum Corners in the archives. He donated over 8,200 images taken during his time in Whistler to the archives in 2010, all of which have now been digitized and many of which have been shared in social media posts, articles and more. The collection, which includes shots of ski patrol, baseball games, and trips to Squamish to do laundry, provides a candid look at life for some Whistler residents in the 1970s and early 1980s.

A creative approach to entering Alpine Meadows after a flood. George Benjamin Collection.

Along with thousands of photographs, Benjamin also shot 16mm films during his time in the area. He was able to follow along with ski patrol on Whistler Mountain while they worked on avalanche control and captured some impressive slides on film, as well as events and happenings in the valley. They films would be screened at Tokum Corners, usually with a soundtrack (at least one person has told us that Pink Floyd’s 1973 album The Dark Side of the Moon was a fitting accompaniment to avalanches) and viewers crowded in.

Tokum Corners was dismantled by the early 1990s and no trace of the building remains on the site today. Evidence of its importance as a cornerstone of social life in the valley, however, remains in photographs, films, memories, and even “Tokum,” the ski run on Whistler Mountain that got its name from the residence.

An avalanche set off during control on Whistler Mountain. George Benjamin Collection.

Recently, the museum was able to acquire the Benjamin Film Collection and, thanks to the support of the Whistler Blackcomb Foundation, purchase equipment to digitize 16mm film. Last summer, our collections student Liam McCrorie digitized the Benjamin films along with other 16mm films in the archives, such as the collection of Jim McConkey’s films that he donated in 2016. This spring, the museum will be hosting a couple of different events to share these films, so be sure to keep an eye out for upcoming announcements soon!

The Spirit of WhistlerThe Spirit of Whistler

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While reorganizing artefacts in the collection recently, we came across a mounted model of a SkyTrain car that had been presented to the Resort Municipality of Whistler (RMOW) on September 5, 1985. While it wouldn’t seem like Whistler had much to do with a transit system built in Vancouver, the plaque attached to the models tells us that it was presented by Grace McCarthy (then the “Minister Responsible for BC Transit”) to Terry Rodgers (then the mayor of Whistler) “on the occasion of the naming of car number 053 in the SkyTrain system the ‘Spirit of Whistler.'”

A train on a plaque, part of the Whistler Museum & Archives artefact collection.

Vancouver’s SkyTrain began as a legacy project of Expo 75, which had the theme “Transportation and Communication: World in Motion – World in Touch.” While there had been other transit projects proposed for Vancouver in the past, such as a light rail line proposed by the NDP in 1974, none had come to fruition. Construction of the Advanced Light Rapid Transit (ALRT) SkyTrain, a new technology from the Urban Transportation Development Corporation in Ontario, began on March 1, 1982, under the Social Credit government of Bill Bennett.

Not everyone was a fan of this project, with some politicians such as Vancouver Mayor Mike Harcourt preferring cheaper technologies that had already been tested. Some of the objections to the project came from the fact that the new system did not have a driver, though many rested on the expected cost.

Telemark Skiers, Luise and Pascal, and the Whistler Singers during a performance of Whistler – Let the Spirit Grow during Expo 86. Expo 86 Collection.

Despite this opposition, the first kilmetre of track was ready to open as a demonstration line in the summer of 1983. While riders wouldn’t get all that far from Waterfront Station, they could try out the train and get an idea of what it would be like to travel on when it was finished. The rest of the original Expo Line out to New Westminster Station was completed in 1985 and began running free weekend service on December 11, 1985. Full service (with fees) began on January 3, 1986, just a few months before Expo 86 opened.

According to the Whistler Question, the 114 SkyTrain cars were all going to be named after towns and places in British Columbia, though they questioned who of the 136 municipalities would not get to see their name on a car. We don’t know if each municipality received a model car on a plaque from a government minister, but it is possible that part of the reason Whistler did was because the provincial cabinet was having their annual retreat in Whistler at the time. This meant that ministers and Premier Bill Bennett were on hand as the RMOW celebrated ten years and for the official opening of the Whistler Conference Centre on September 8, 1985.

Sandy Boyd, the “downhill comedian” in Whistler – Let the Spirit Grow. Expo 86 Collection.

The name of the “Spirit of Whistler” is similar to the name of the production the Whistler community created for Expo 86: Whistler – Let the Spirit Grow. This song, dance and comedy show featured the Whistler Singers and a group of Whistler characters (including Sandy Boyd dressed as a downhill skier, complete with racing skis and helmet) and, after premiering to the community in the Rainbow Theatre, was performed at Expo in the BC Pavilion.

Today the Expo line has been extended past New Westminster and more lines have been added to the SkyTrain system. While it is unclear whether individual cars still have names, you might find yourself thinking of Whistler if you happen to find yourself on car 053.

Whistler’s Women’s World Cup DownhillWhistler’s Women’s World Cup Downhill

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Though Whistler began hosting World Cup downhill races in 1982 (or earlier, depending on how you look at it), in early 1994 Whistler was preparing to host its first Women’s World Cup Downhill on March 5 & 6, followed a week later by a Men’s World Cup downhill and Super G. While there had been previous Women’s World Cup races held on Whistler Mountain in the 1970s, the downhill races had been cancelled due to weather, though the GS races had gone ahead.

In January, volunteers were still being recruited to join the ranks of veteran Weasel Workers and it was expected that they would start setting up the course on Dave Murray Downhill by the end of the month. According to the Whistler Question, the Dave Murray Downhill course was considered “one of a few ‘classic’ downhill courses” with jumps, flats, drop-offs, high speed turns and more. Some changes had been made to the course in 1992 to make it more exciting for racers and more accessible for fans, including the addition of two off-camber turns below Coaches Corner and the Hot Air Jump.

Weasel Worker Dean Fletcher prepares for the World Cup. Whistler Question Collection, 1994

As in many years, the weather was a popular topic in the lead up to the World Cup races and many people were concerned about whether the races would be able to go ahead. January 1994 was unseasonably warm, prompting the Question to ask readers “Is the recent warm weather giving you spring fever?” By the beginning of February, Whistler Mountain had to announce changes to the Peak to Valley race course because there was not enough snow to ski down to the valley. Instead, the start of the race was moved higher up to just below the Saddle entrance to the Glacier Bowl and the course was shortened.

Worries about the snow were eased on February 9, 1994 when 28cm fell overnight. According to a report from Bonny Makarewicz, “Skiers and merchants woke up with smiles on their faces as the countdown to the World Cup has begun in earnest.” The snow continued to fall and by the end of February the mountains had received nine feet of snow in nine days. At the beginning of March, however, the weather had turned again and planned training runs for the inaugural Warsteiner Women’s World Cup races were canceled. When team captains examined the course on March 2, they found that the snow was too soft to be safe for training runs and volunteer crews were scheduled to work all day to re-anchor nets and fences that had been left unsecured after the course lost 40cm of snow overnight.

Despite poor conditions, chief of race Joan Giannelli remained optimistic. The rest of her leadership team (which included Nancy Greene as race chair, Michelle Brown, Andrée Janyk in charge of gatekeepers, and Brenda Oaks as chief of timing) agreed and their optimism was rewarded. Training runs were held on Friday, March 4 and the race was able to go ahead on the weekend. Katja Seizinger of Germany placed first, followed by Pernilla Wiberg of Sweden and Michelle Ruthven of Canada.

Ben Ardet, Brenda Oakes, and Louis Sohar take shelter from the rain in a makeshift cover on the Dave Murray World Cup Downhill Course. Whistler Question Collection, 1994

World Cup events in Whistler included more than just the races. The Kokanee Rock N’ Ski Party featured eight different bands performing on the bar circuit and the Whistler Village Art Gallery featured works of BC sports artists Dale Cooper, Brent Lynch and Ken Wesman in the second annual World Cup Show. Other newsworthy events that took place during the World Cup races included the announcement by Canadian racer Kerrin Lee-Gartner of her retirement and the gathering of Canada’s Olympic and World Downhill gold medalists at a benefit dinner for the Whistler Health Care Centre.

Canada’s Michelle Ruthven, Germany’s Katja Seizenger and Sweden’s Pernilla Wiberg share the podium after Whistler’s first Women’s World Cup Downhill race on Saturday. Whistler Question Collection, Doug Alexander

Despite continued uncertain weather, the Men’s World Cup Downhill and Super G races were also able to ahead the following week and the 1994 World Cup in Whistler was considered a success. However, while the Men’s World Cup races did return in February 1995, the Women’s World Cup did not and the Canadian stop of the tour was moved to December in Lake Louise.