Tag: Soo Valley Logging Camp

Tales of Toad Hall: Beyond the PosterTales of Toad Hall: Beyond the Poster

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In the spring of 1973, a group of residents (and some of their friends and relatives) who had been renting a property together took a photo as a memento before they moved out. Fifty years later, that photo is best known as the Toad Hall Poster and is widely recognized for its nudity and carefree spirit. While many people who come into the Whistler Museum know of the poster, we’ve heard a lot of different origin stories for the image and a range of names for those featured.

If you had arrived in the Whistler area in the late 1960s and asked where to find Toad Hall, you might have been directed to an entirely different building than the one featured in the Toad Hall Poster. The first Toad Hall in Whistler was a house built beside Nita Lake by Alf Gebhart in the 1950s. Alf and his wife Bessie moved their family to Alta Lake in 1936, when Alf purchased a sawmill and lumber camp. After operating the mill for some years, Alf built a house where he and Bessie lived until the closure of the their sawmill. The house was then occupied by their son Howard and his wife Betty while Howard was working for the railway. When they left the valley as well, the house was sold to Charles Hillman, a teacher living in Vancouver.

The Gebhart/Hillman/Toad Hall house on Nita Lake. George Benjamin Collection.

Hillman began renting out his house soon after lifts opened on Whistler Mountain in 1966 and it was some of his tenants who gave it the name of Toad Hall. Tenants came and went over the next few seasons and by the time Hillman decided that he wanted to start using his house as a ski cabin in would appear that none of the original tenants he had rented to were left. Those who were living there were reportedly amicably evicted and the Toad Hall name moved to a different property.

Before it became known as Toad Hall, that property operated as the Soo Valley Logging Camp. The camp, which included a collection of small cabins, was located at the north end of Green Lake, across the lake from the Parkhurst mill site. The logging camp can be seen in the background of some of the photographs taken by the Clausen family, who lived at Parkhurst in the 1950s. By the 1970s, however, the mill at Parkhurst was long closed and the Soo Valley Logging Camp no longer housed loggers.

If you look closely, the red roofs on the other side of Green Lake from Birthe and Ron Clausen are some of the buildings of the Soo Valley Logging Camp. Clausen Collection.

In the early 1970s, the Soo Valley property housed skiers looking for affordable housing near Whistler Mountain. The entirety of the property was reportedly rented for $75/month (adjusted for inflation, that would be just over $500/month today), which could be quite reasonable when divided amongst enough residents. By 1973, this second Toad Hall was a popular place to find a party or a bed. Unfortunately, however, for those who found a home there, the buildings were scheduled to be demolished that summer and their days at Toad Hall were numbered. The end of Toad Hall was marked by the creation of the Toad Hall Poster.

While we know some of the stories behind Whistler’s Toad Halls, there are a a lot of things we don’t know. How did two different properties on two different lakes come to be named after the home of Mr. Toad from Wind in the Willows? In a time long before there were dedicated Facebook groups for housing in Whistler, how did people hear about and find Toad Hall from across the country?

The building best known from the Toad Hall Poster. George Benjamin Collection.

We’re looking forward to finding out more about Toad Hall from a few former residents on Wednesday, April 26 (tomorrow evening!), when we’ll be joined by John Hetherington, Terry “Toulouse” Spence, and Paul Mathews at the Whistler Museum for our next Speaker Series. Tickets for the event are, however, sold out. Find out more here.

The Story of the Toad Hall PosterThe Story of the Toad Hall Poster

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Although the Toad Hall poster’s infamy has persisted through the years, it became harder and harder to get your hands on one. Until 2013, when  Toulouse himself came into the museum with a box of the original, 1973 print, posters that are still in mint condition. You can now get yourself one of these absolute classic pieces of Whistler history for yourself, available exclusively from the Whistler Museum!

 

(Warning: Nudity Alert)

This is the story of Whistler’s most famous photo, created on a whim one care-free spring afternoon four decades ago. 1973 in Whistler was another era. Less than a decade earlier, the construction of ski lifts on Whistler Mountain had put the previously quiet fishing resort on the map,  attracting an influx of youthful, free-spirited ski bums.

Meanwhile,  Whistler Village, Blackcomb Mountain, the Olympics and other major development remained little more than a pipe dream. Heck, many locals still lived without electricity or running water. Throughout the valley the ski bums lived in a wide variety of hand-built cabins, and conveniently vacated structures, perhaps none more revered than Toad Hall.

Toad Hall volleyball
Enjoying an idyllic volleyball match along the shores of Green Lake.

With a mere $75/month lease (for the property, not per person), this collection of wooden shacks near the north end of Green Lake, formerly known as the Soo Valley Logging Camp, came to be a focal point of the revelrous ski bum community. Without going into too much detail, let’s just say that by the spring of 1973 tales of debauchery left local powers wholly unenthused with this shag-carpeted Shangri-la.

Toad Hall was slated for demolition later that summer. One sunny spring day, whoever was milling about was asked to convene out front with their ski gear, but wearing nothing else.  The photographer, Chris Speedie, orchestrated the photo simply to provide residents with a memento before Toad Hall met its demise. The completely uninhibited and playful posing perfectly captured the spirit of the times.

Later, sensing the image’s iconic potential, a few “Toadies” scrounged together some cash and printed off 10,000 posters. At 2 or 3 bucks a pop, guerilla poster sales funded abundant “apres” sessions for years to come. The poster’s mastermind, Terry ”Toulouse” Spence, also worked for the Canadian National Ski Team.

During the height of  the Crazy Canuck era, Toulouse brought boxes of posters along for the ride on the World Cup ski circuit. To this day it  can still be found decorating the walls of some of the world’s most cherished ski bars. Despite the annotation in Kitzbuhel’s famed Londoner Bar, this is not “Canada’s National Ski Team”. The poster simply provides an unencumbered gaze back in time at early Whistler’s care-free lifestyle. And yes, some of the “models” still call Whistler home, but good luck getting any of them to admit it!

Chris Speedie's original photograph.
Chris Speedie’s original photograph.

 

Toad Hall:Bradley
The museum’s gift shop, with the Toad Hall display poster on the left.