Category: From the Archives

Behind-the-scenes insights into the inner workings of a community museum and archives.

Postcards of the Whistler Museum Archives – Pt.2Postcards of the Whistler Museum Archives – Pt.2

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This week’s postcards have more of a direct link to Whistler’s history than the ones featured in last week’s post (read pt.1 here) – they represent a fraction of the correspondance sent between Whistlers’s best-known pioneer Myrtle Philip and her relatives. Both of the postcards shown were sent to Jean Tapley, Myrtle’s sister who lived in Seattle.

In this era prior to text messaging, Facebook and other forms of quick communication, the postcard was the fastest means of contact, something you would send when you couldn’t find the time to write a full letter.

Rainbow Lodge Postcard

This first postcard was meant to advertise all of the amenities at Alta Lake and Rainbow Lodge – it shows a view of Alta Lake with mountains in the background, the bridge to Rainbow Lodge, an interior shot of Rainbow Lodge, and swimmers enjoying the chilly waters of Alta Lake. Myrtle sent this postcard to her sister on July 13th, 1927 – nearly 85 years ago today!

On the back, written in Myrtle’s own cursive, is a message which reads “Dearest – How do you like the new style postcards? Dr & Mrs. Naismith are here – look fine – send love to you – Wish you were here now, but Sept will be a lovely holiday time. Dad is fine. Was very pleased with your letter. Best love Myrtle.”

Lost Lake Postcard

This second postcard shows Lost Lake, and was mailed to Jean by Rhi Philip, who was married to Alex Philip’s brother, John. Rhi, John and their two children were frequent visitors to Rainbow Lodge.

Rhi appears to have been in a rather bad mood the day she penned this postcard in 1929. The message on the back reads, “Dearie – Owe everyone (sic) of my sisters letters but couldn’t write this mail. Didn’t feel like it. (illegible) feeling queer & restless all over. Rotten weather cold & pouring. Coming up in the summer time next year. Just when does your holiday begin? Think I have rent my house but had to come down to 27.50 but building no garages of anything else so (illegible) as far ahead & if I get it rented this week the two months rent will help pay my $70.00 taxes – Bye dear hope your feeling better – Rhi.”

We hope you enjoyed this journey back in time! If you have kids, keep an eye on our blog and website for details on our Family Saturdays – on Saturday July 21st we will feature a postcard craft and a short presentation on Myrtle Philip, who was in fact Whistler’s first postmistress. Family Saturdays activities run from 2:30-4:30pm.

Postcards of the Whistler Museum Archives – Pt.1Postcards of the Whistler Museum Archives – Pt.1

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There’s something undeniably intriguing about old postcards and the stories behind them. This week and next we will be featuring some of the postcards found in our archives, and we invite you to comment and offer your own interpretations of their contents. Next week’s post will cover correspondance between members of the Tapley and Philip families.

First up is this fascinating postcard with a bit of a mysterious background we like to call “One big tree!”

A 117-year-old mystery

Although this photograph doesn’t show a tree near Whistler (and possibly not even a tree near Vancouver), it is in the Philip collection, and was given to either Myrtle or Alex at some point.

The photograph in this postcard is purportedly from 1895, and shows several people posing on a giant felled fir tree (again, according to the postcard). The caption reads, “This fir giant measured 417 ft. in height with a clear 300 ft. to the first limb. At the butt it was 25 ft. through with bark 16 in. thick. Its circumference being 77 ft.; 207 ft. from the ground its diameter was 9 feet. Felled near Vancouver in August ’95 by George Cary, who is seen upon the ladder.”

This is one mysterious image – there appears to be a great deal of folklore surrounding the “Cary Fir” which even made it into the Guinness Book of World Records. Read this article and response for yourself and decide what you believe: http://www.spirasolaris.ca/DouglasFir.pdf.

Our next postcard is a bit out of season, but we thought we’d share it regardless…

Leonard Frank’s Vancouver

This Christmas postcard showing an early view of Vancouver (sans skyscrapers) reads, “Wishing you a Merry Xmas and a happy and victorious 1943.” The card itself is signed by Leonard Frank, and the photograph is likely his, as he was a well-known photographer in British Columbia in the early half of the 20th century.

When this card was produced, World War II was in full swing, and wishing for a victorious year was a common sentiment.

Frank originally hailed from Germany, and was the son of one of Germany’s earliest professional photographers. Struck by gold fever in 1892, he traveled to North America – living first in San Francisco and then Port Alberni on Vancouver Island.

A camera won as a raffle prize shifted his direction entirely, and he moved to Vancouver in 1917, quickly becoming the leading commercial/industrial photographer in the city.

Frank also spent quite a bit of time at Alta Lake, and several of his photographs of the surrounding area can be found in the Museum archives. A frequent guest of Rainbow Lodge, he was also a friend of Myrtle and Alex Philip, to whom he sent this postcard.

For more information on Leonard Frank, see www.vpl.ca/frank/biography.html

This Sunday, keep an eye out for the Museum staff in the Canada Day Parade dressed as postcards from around the world! 

The Philips’ Fly Fishing TackleThe Philips’ Fly Fishing Tackle

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Although contemporary fly fishing gear is full of high-tech advancements like graphite rods and synthetic fly materials, the sport also has a strong traditionalist bent. For many anglers, the romance of bamboo rods, hand-tied flies, and other vintage tackle has almost as much allure as the fish themselves.

Fly fishing at Myrtle and Alex Philip’s renowned Rainbow Lodge was the Whistler Valley’s first tourist attraction, so the Museum naturally has a lot of fishing gear in our archives, not to mention hundreds of photographs.

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To better understand these artifacts we recently had Brian Niska and Scott Baker-McGarva from Whistler Fly Fishing give us their take on some of the fly-fishing gear in the Philip collection. We were pleasantly surprised to discover that both Brian and Scott are true historians of the sport, providing tons of  insight into our collection drawing from their impressive knowledge of the evolution of fishing tackle design.

2 of the Philips fishing rods, and Myrtle’s beatiful leather carrying case. The case still contains a travel tag dating to the Fall of 1961, likely the last time she used it.

We have several old cane and bamboo rods, some for fly fishing, some for casting and trolling.

The handle of one of the Philip’s fly rods.

They mostly demonstrate design features from the 1920s and 30s, the heyday of Rainbow Lodge, but the most obvious feature is the amount of use they have all seen. They appear to have been re-varnished multiple times and have many replaced eyes. This makes sense considering that the Philips and their guests were out on the water almost every summer day (and some winter days as well) for decades on end.

Considering most rods had to be shipped from the U.K. or the eastern U.S., the rods were irreplaceable workhorses whose lives needed such prolongment.

The tag on Myrtle’s leather fishing rod travel case.
Alex Philip’s fishing hat

Here we have Alex Philip’s stylish felt fishing hat, a Fedora made by Adam Hats of New York with a special water-repellency treatment for rainy day fishing.  Note how the crown is full of an array of traditional wet flies suited to trout fishing in small lakes like Alta.

Brass P.D. Malloch fly fishing reel.

Made by P.D. Malloch of Perth, Scotland, Scott thinks this particular reel could predate World War One because it is made of brass, and most reels were made of alloys after the war. It resembles some of the reels we see in early photos of Alex Philip, and could potentially be one of the earliest fishing reels used at Rainbow Lodge. We contacted the manufacturer for more information but unfortunately their records were destroyed in a fire in 1986.

Other interesting odds and ends include the large reel in the top right of this photo, an Ocean City brand fortescue-style reel. Scott described it as a “multiplying salmon reel” best suited for larger fish than we typically find around Whistler. The Philips were dedicated anglers that took annual trips every autumn to Canim and Mahood lakes, northeast of 100 Mile House in  the Cariboo region. This reel, which was appears to date from the 1930s or 40s, was likely used on these trips.

Mucillin and Lineflote (in the small red and yellow tins, both still half full) were grease-like substances used to give silk lines and/or flies buoyancy. Although synthetic lines are much more common now, Mucillin is  actually still sold today in packaging nearly identical to our examples from the 1930s.

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Although the lakes don’t provide our valley’s main draw anymore, there is still great fishing to be had. When I was bringing some of our artifacts  over to the museum from our off-site storage I actually encountered several people who were on their way to the lake, rod in hand. They were naturally curious about my odd-looking gear, and I’m certain Alex and Myrtle Philip would be equally excited to see their life’s passion alive and well in the Whistler Valley, more than a century after there fateful first casts in Alta Lake.

Whistler Backroads is putting on their 12th annual Fishing Derby this Sunday, June 17th at Lakeside Park. All are welcome, registration is free, and they even have some complimentary gear to use on a first-come, first-serve basis. Happy fishing!

Myrtle Speaks!Myrtle Speaks!

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Myrtle Philip in riding garb.

Myrtle Philip is the leviathan of Whistler’s history: her name is immortalized in the Myrtle Philip elementary school; she was the first person to be awarded the title ‘Freeman of Whistler’; there is even an official Myrtle Philip day! By all accounts she was a very special lady.  Incredibly gutsy, she could do pretty much anything – from building Rainbow Lodge by hand, to baking pies out on the trail, to guiding stranded railway men across the snow and back to civilization.  Myrtle Philip was certainly no wallflower.

The Museum is packed full of artifacts and archives relating to Myrtle and Rainbow Lodge. She was the first person to donate items to us, and it was Myrtle and another pioneer, Dick Fairhurst, who inspired Florence Petersen to start the museum. We have hundreds, if not thousands of photographs of Myrtle – I can recognize her instantly at any age from 19 to 90. We even have some silent film footage of her: fishing and with her beloved horses.  But despite this I had never heard her voice, save for a ten second clip on an old radio show.

So, imagine my delight when Kay Alsop, a retired journalist and good friend of Myrtle’s called me to let me know that she had some reel-to-reel tapes of an interview she had conducted with Myrtle in 1971 for an article for the Vancouver Province.

Kay had been sent up to Whistler to do a piece on Myrtle and the two of them hit it off immediately. Kay remembers,  “She was such a take charge kind of person – no nonsense…really a nifty lady and I could tell right off the bat that we were going to be friends.”

The museum has digitized the tapes.  All six reels come to around an hour’s worth of interviews: too much to put on a blog, but we can share some of our favourite excerpts for you here.

Firstly Myrtle discusses how she always wore breeches, despite the fact that women never wore pants at this time:

Myrtle Philip discussing women’s clothing in the wilderness

She also talks about the popular horseback riding excursions at Rainbow Lodge.

Myrtle talks of the horseback riding at Rainbow Lodge

Here she tells the story of how she met her husband, Alex Philip:

Myrtle meets Alex

Hearing Myrtle converse in her broad Maine accent is really thrilling for us at the museum. We have been telling Myrtle’s story for 25 years – now Myrtle gets a chance to speak for herself.