Category: From the Archives

Behind-the-scenes insights into the inner workings of a community museum and archives.

Digitizing Alta LakeDigitizing Alta Lake

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Long before the Whistler Museum and Archives Society (WMAS) was officially founded in 1987 – when it was just a few shelves tucked away in the basement of the Whistler Public Library inside Municipal Hall – the idea of preserving the valley’s summer resort history was already taking root. Even then, the vision was clear: to safeguard and share the stories of the people who helped shaped this community, and to make sure they would not be forgotten.

That vision was driven by a promise. Florence Petersen, the founder of WMAS, made a personal commitment to Myrtle Philip who, alongside her husband Alex, opened Rainbow Lodge in 1914 and brought the first wave of tourism to the Alta Lake and later Whistler area. That promise was simple yet profound: to ensure that Whistler’s history and the lives and experiences of its residents would not be forgotten.

One of the many photos in the Philip Collection.

By the late 1970s and early 1980s, efforts to collect oral histories, photographs, and films documenting life in the valley were already underway. The first items added to the museum’s archival collection reflect this early work, including 1,700 images related to Myrtle and Alex Philip and Rainbow Lodge, spanning from 1895 to 1986. These mostly black-and-white photographs, along with various 16mm films, capture a transformative period in the valley’s history, showcasing the growth of the Alta lake community and the broader evolution of Whistler as a tourist destination.

Preserving these materials is a responsibility we take seriously. Following Canadian Conservation Institute (CCI) standards, we handle photographs using cotton gloves and store them in acid-free, archival-safe sleeves. These simple yet essential steps ensure that these fragile items remain in good shape for future generations.

Florence Petersen chats with Myrtle Philip. Philip Collection

Of course, preservation is only part of the job. Sharing Whistler’s history with the public, without risking damage to delicate originals, means creating digital copies of these items. Over the years, we’ve steadily expanded our capacity to digitize our collection. Today, we can convert a wide variety of media, including 16mm and 8mm film reels, colour slides, photographic prints, VHS tapes, Hi8, and DVCam formats.

Digitization is carried out using lossless formats like TIFF (Tag Image File Format), which preserve every pixel of the original image. A single high-resolution TIFF can be as large as 150 MB – about the size of 14 JPEGs on a modern smartphone. Unlike JPEGs, which compress data and average out similar pixels (sometimes causing those “blocky” images you see when streaming video on a slow internet connection), TIFF files retain the full fidelity of the original image.

Once digitized, we render to more manageable JPEG versions for everyday use, including social media, educational materials, and exhibits. These smaller files are easier to handle and help us tell Whistler’s story more widely and effectively.

Acid-free boxes, sleeves and more help keep archival materials safe.

To ensure the safety of our digital archives, we back up all high-resolution files to offsite servers and secure long-term storage systems, including LTO (Linear Tape-Open) tapes, which provide up to 30 years of reliable “cold” storage of these digital items.

WMAS is proud to be able to continue Florence’s promise and Myrtle’s legacy. Every photo we scan, every film we digitize, and every story we preserve is another piece of Whistler’s remarkable history saved – not just for today, but for generations to come.

WMAS will be hosting a film screening tomorrow (Wednesday, June 18) at the Point Artist-Run Centre, featuring archival films shot around the Alta Lake community, including 16mm films from the Philip Collection. This screening will offer a fascinating look at films from the Whistler Museum’s archives, shown right on the shores of Alta Lake. Get your tickets for the event here!

Retrospective and a New PerspectiveRetrospective and a New Perspective

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In the fall of 2011, Greg Eymundson was kind enough to donate the prolific archive of Whistler-related photography from his company, Insight Visual Solutions, to the Whistler Museum & Archives Society (WMAS). Through the Young Canada Works program, I was recently given the opportunity to arrange and describe the materials in greater depth as part of a five month internship.

I had recently returned to Whistler after graduating with my Bachelor of Fine Arts from Emily Carr University of Art and Design, but found myself adrift and directionless after moving home. I was in desperate need of community and a sense of purpose. I found this and more during my time working at WMAS.

Families at the Meadow Park splash pad, ca. 2004. Insight Visual Solutions, Joern Rohde.

The material donated by Insight Visual Solutions primarily consists of over 25,000 35mm photo slides created from 1996 through 2006. Content of the photo slides ranges from thrilling sports photography, to documentation of nostalgic events and locations, to stunning aerial and landscape shots capturing the natural beauty of the valley. As the Assistant Archivist, I was tasked with preserving the original order imposed by Eymundson, while also making the collection intuitive for future researches to navigate. This involved an extensive process of assigning codes, physically labelling materials, and recording transcriptions and descriptions in a digital database.

The Insight collection has now been comprehensively arranged and described, preserving the record of a time in Whistler history that was previously under-represented in our archive, and one that shall remain forever golden in my memories of an idyllic childhood in the mountains. As someone born and raised in Whistler, I’m embarrassed to admit how easy it was for me to take the life I’ve had to this point for granted.

The Burrows’ A-frame cabin in Alpine Meadows. Burrow Collection.

When this lifestyle is all you’ve ever known, you don’t understand how exceptional it truly is; for example: “What do you mean other kids don’t go to ski school on Mondays?” It was only upon leaving the bubble that I could truly appreciate the gift I had been given by my parents, and by notable Whistler citizens Jane and Paul Burrows.

When the Burrows listed their classic A-frame in Alpine Meadows for sale over twenty years ago, they met a young couple expecting their first child. The Burrows told my family they wanted this baby to be brought up in their home and, rather than accepting a higher offer upfront, Jane and Paul waited for my parents to scrape together a down payment. If it weren’t for their selflessness, my family would likely have had no choice but to move elsewhere to raise me. It seems only fitting that I now find myself devoted to the preservation of local history that Jane and Paul Burrows influenced so heavily, considering I would not be here without them.

School photographs from Jane Burrows and posters of Paul, including his performances at Mt. Whistler Lodge and his election campaign featuring his distinctive silhouette.

Since completing the Insight Fonds, I have been cataloguing recent accruals from the estate of Jane and Paul Burrows. These include family scrapbooks, Myrtle Philip School photographs from Jane’s time as a teacher, and promotional posters from Paul’s election campaign.

My time at the Whistler Museum has given me a previously unprecedented level of gratitude for my home, my family, and those who have come before me.

Indigo Dipple was the Assistant Archivist at the Whistler Museum this winter through the Young Canada Works in Heritage Organizations (YCWHO) program.

Worth a Thousand WordsWorth a Thousand Words

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Photography has long served as a powerful tool for documenting and preserving human history. From its invention in the early 19th century, photography revolutionized how people recorded the world, capturing moments in remarkable detail and making them accessible to future generations. The ability to visually document everyday life, historical events, and personal milestones has transformed our understanding of the past.

Some of the earliest photographs of the Whistler area in our collections date back to 1911 when Myrtle and Alex Philip made their three-day journey from Vancouver to Alta Lake via the rugged Pemberton Trail. The Philips played a pivotal role in shaping Whistler’s early tourism through their operation of Rainbow Lodge, the area’s first tourist attraction. The couple’s photographs provide invaluable snapshots of a formative era in Whistler’s history. Their photos helped document milestones such as the arrival of the railway, the first airplane landing on Alta Lake, the start of industries such as logging, and the evolution of community life in the area. These make up some of the Whistler’s most prized images.

Photo contact sheet from the Whistler Question, July 4, 1979. Contact sheets show the images on strips of negatives, which are digitized to archival standards.

With a collection of more than 300,000 physical photographs, the museum’s photographic holdings are its largest and one of its most valuable assets. This collection spans decades, chronicling everything from the first documented mountaineering trip in 1923 (rich with photos of now long-since-receded glaciers) and the development of skiing in 1965, to the design and construction of Whistler Village in 1979-80 and hosting the 2010 Olympic and Paralympic Winter Games. Through these photographs, museum staff, visitors, and researchers can explore Whistler’s rich heritage.

Prior to the advent of digital photography (widely adopted during the 2000s), images were captured using a light-sensitive chemical emulsion applied to glass or to a strip of plastic or paper, commonly referred to as film. The process began when light entered the camera (sometimes just a crude wooden box) through a lens and exposed the film, creating a latent or hidden image. This latent image was then revealed during development, where the film was treated with specific chemicals in a darkroom to make the image visible. Once developed, the film could be used to create prints by projecting the image onto photographic paper.

Film types, emulsions, and the chemicals used for developing evolved significantly over the 20th century. One of the most important advancements as the development of safety films, which replaced the highly flammable and unstable nitrate films that were widely used prior to the 1940s. (The dangers of nitrate film and its combustible properties were a major plot point in the 2009 Quentin Tarantino film Inglourious Basterds.)

Thanks to the support of the Whistler Blackcomb Foundation, the Whistler Museum now has two scanners and can scan twice as many images! Our assistant archivist is seen scanning slides from the Insight Photography Collection, a more recent addition to our archival collections.

Tragically, many films from the silent film era of the 1920s were lost forever due to fires caused by nitrate films. One such loss is The Crimson West (1933), Canada’s first talkie film (a film with audio). Based on one of Alex Philip’s novels, it is considered a lost film after the Capitol Theatre in Victoria burned down, destroying the last known copies. Fortunately, aside from a few nitrate film negatives stored safely and securely, most of the museum’s collection consists of prints and safety film.

Our photographic holdings include a variety of formats, ranging from black-and-white images made from 4″x6″ medium-format film to the more common 35mm colour negatives, a popular choice among both amateur and professional photographers. Many of our collections also feature slide film, which were frequently used by businesses and families for presentations or “slide shows.” We ensure the preservation of these photographs by adhering to archival best practices, including careful handling and storage in acid-free archival boxes and stable plastic sleeves.

Photography, as documentation, is a bridge between the past and present. In Whistler, it continues to play an essential role in preserving the stories that define this extraordinary place, and we are glad to share these images with you here and on the museum’s social media channels. If you have photos you’d like to contribute to our collection, we’d love to hear from you – feel free to reach out or visit us at the museum!

Skiing with Al RaineSkiing with Al Raine

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In 1971, the Alpine Program Director of the Canadian National Ski Team penned an instructional book for skiers, from beginners to experts. The book was titled Skiing with Al Raine and was written, as you might have guessed, by Al Raine. It was a continuation of the nationally syndicated newspaper column, “SKIING with Al Raine,” which he began writing in 1969 and, like the other instructional skiing books found in the Whistler Museum’s resource library, is a guide for those looking to improve their skiing long before the internet made such information so easily accessible.

Nancy and Al Raine on Blackcomb Mountain. Greg Griffith Collection

Similar to both Ski with Toni Sailer from 1964 and Greg Athans’ Ski Free from 1978, Skiing with Al Raine offers skiers information about choosing ski equipment, how to prepare the body for skiing, and different techniques for turns and maneuvers, while also encouraging more formal instruction with a ski instructor as well. In the introduction, Raine acknowledges that there have already been multiple books written about ski technique, but claims that most do not emphasize one of the most important parts of learning to ski: “developing your own style.” He also makes a point of knowing when to stop skiing, skipping a run when you are tired, and the importance of taking a hot chocolate or coffee break.

Written specifically for the Canadian skier, Skiing with Al Raine also includes brief descriptions of the different ski areas across the country. Of the Whistler ski area of 1971, it says “Whistler Mountain is certainly renowned for its Olympic bid, summer skiing potential, tremendous scenery, and the honeymoon of Pierre Elliot Trudeau” and that “each year skiing and skier atmosphere improves greatly.”

Jogging and running was encouraged as a way to stay in shape for skiing. Whistler Question Collection, 1980

Al Raine and his wife Nancy Greene (1968 Olympic medallist and Canada’s Female Athlete of the 20th Century) moved to the Whistler area in 1973. Raine then became the Ski Area Coordinator for British Columbia and when the Resort Municipality of the Whistler was formed in 1975 was appointed to the Whistler council, a position he held until 1982.

The Whistler Museum will be joined by Al Raine and Drew Meredith (Whistler Mayor 1986-1990, realtor, and supposed lottery winner of 1982) to discuss not skiing but the origins and early years of the Whistler Resort Association (WRA) tomorrow (Wednesday, June 12) for our next Speaker Series. The WRA, better known today as Tourism Whistler, began as an amendment to the Resort Municipality of Whistler Act in 1979, a time when a lot of change was happening in the Whistler area. We’re looking forward to learning more about its history and a time when Whistler’s future was, to many, anything but clear.

Al Raine discusses the planning of the Whistler Village. Whistler Question Collection, 1980

On Saturday, June 15 the Whistler Museum will be talking about skiing with Jim McConkey, who instructed countless people to ski through both the written word and as the director of the Whistler Mountain Ski School. This will be the second film screening of 16mm films from the Whistler Museum’s archival collections, which have recently been digitized on new equipment thanks to the Whistler Blackcomb Foundation. You can find out more about both events here.