Category: Arts & Artists

Art and artists made in Whistler.

The Hills Were Alive… With the Sound of MusicThe Hills Were Alive… With the Sound of Music

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In September 1988 an article written by Joanna MacDonald about a performance by the Vancouver Symphony Orchestra appeared in The Vancouver Sun.  This might not seem noteworthy or appear to have anything to do with Whistler’s history except that the concert written about took place 1850m above sea level on Blackcomb Mountain.

This was not a typical concert for the VSO, nor was it a typical year.  From January to July of 1988 the organization’s growing deficit had halted VSO performances.  In July, after creditors had forgiven the deficit and financial assistance was acquired by the symphony, the VSO began a series of outdoor concerts.  Their summer performances included concerts at Ambleside, English Bay and Granville Island, but none of these required transporting a $500,000 sound system, a 14-tonne stage and two tonnes of instruments up a mountain.

While the first performance on Blackcomb took place in the heat of summer, the VSO also played in the rain some years. Whistler Question Collection.

The weather made the stage on Blackcomb Mountain an interesting venue to perform on.  The VSO had though about the implications of wind and low temperatures, but didn’t expect 32 degree heat at the top of the mountain.  While the musicians were under cover and didn’t get too hot (despite wearing formal dress) audience members were encouraged to bring hats and sun screens.

Concertgoers on the mountain sat on hay spread around a 1.4-hectare site within an alpine meadow, a ver different arrangement than the Orpheum Theatre, the VSO’s usual venue.  According to Nancy Spooner, a VSO spokesman, “One family had the full red and white checkered tablecloth and a wine bucket with glasses.  There were families with grandparents and kids, and people were wearing everything from bathing suits to hiking gear.  Some people even brought up some mountain bikes and went riding before the concert.”  5,238 people were recorded as attending the performance.

A mountaintop performance on Whistler, 1995. Whistler Question Collection.

The VSO continued to perform annually on top of the mountain, first on Blackcomb Mountain and then switching to Whistler Mountain.  In 1998 their concert on Whistler was postponed as the mountain was closed for the summer due to the construction of the new Roundhouse Lodge.  This postponement lasted fourteen years.

In 2012, after an absence of over a decade, the VSO returned to perform in Whistler.  Instead of the top of a mountain, performances took place in Olympic Plaza over a weekend in late July.  In 2014 the VSO began performances on Canada Day and announced the creation of the Vancouver Symphony Orchestral Institute at Whistler, both of which have continued each summer.

The VSO performs in Olympic Plaza. Photo: John Alexander

Unlike the first performance in 1988, today’s VSO performances in Whistler are not held in an alpine meadow and the audience does not pay to attend.  In other ways, however, the concerts are still very similar.  The VSO still attracts of crowd of thousands and a mix of visitors and residents.  Groups still bring picnics, families attend with kids and grandparents, people wear bathing suits and hiking gear, and quite a few people look like they just got off their bikes.

Whistler Après: 1968Whistler Après: 1968

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In February of 1968 entertainment options for locals and visitors were limited.  Alta Lake, as the area was still called, had a very small full-time population and comparatively little infrastructure.  The Village was still serving as a town dump site and development in Creekside had really only just begun.

The development of Creekside and the surrounding areas as of 1970. Whistler Mountain Collection.

The February edition of Garibaldi’s Whistler News included the “Whistler Mountain Weekly Schedule of Entertainment”, a listing of weekly events that were open to the public.  While not a lengthy list (especially when compared to the five pages of listings found under PiqueCal and Nightlife in this publication just last week) every evening provided something different.

The week began on Sunday with a General Information Night where “ski-weekers” were invited to the Cheakamus Inn to view slides of the area and ask any questions they might have about Whistler Mountain.

On Monday a day of skiing could be followed by hot drinks in the Cheakamus Inn lounge and a “Get-Acquainted Party” at the Highland Lodge to meet instructors and others on vacation.

Shown here with his children, Dick Fairhurst was the owner of Cypress Lodge and a ski-doo enthusiast. Fairhurst Collection.

Cypress Lodge (the current site of the Point and Sailing Club) offered Ski-Doo parties every Tuesday, including a ski-doo trip to Cypress Lodge, hot drinks, light refreshments and the option to dance or rent a ski-too to take around Alta Lake.

Wednesdays were Movie Night when a film would be shown in the Day Lodge at the foot of Whistler Mountain.  In 1968 a ticket to the movies was a reasonable $1 for adults and $0.50 for children.

On Thursday the entertainment moved to the Mount Whistler Lodge, a location of fond memories for many Whistler residents and visitors.  Guests were encouraged to come “any time after 9 pm and see the local people in action” with a Jug Band on hand and records for dancing, as well as refreshments and pizza.  According to an advertisement placed by the Mount Whistler Lodge, in which it was described as a “rustic waterfront lodge with rooms and cabins in one of the finest settings in the world,” this was also the place to be every Friday and Saturday for dancing and pizza.

Hillcrest Lodge, originally built and run by the Mansell family, was renamed the Mount Whistler Lodge under new management soon after Whistler Mountain opened.  Mansell Collection.

The February of 1968 offered extra entertainment with two dances scheduled in Whistler Mountain’s main lodge for February 3 and 17, alternating Saturdays with the Mount Whistler Lodge for the month.  Admission to these dances was $1.50 and music was provided by the newly formed Poppy Family.  An added attraction was a “psychedelic lighting show”.

Today there is no shortage of evening entertainment opportunities for visitors to Whistler, including outdoor activities, restaurants, bars and theatres (movie and otherwise), not to mention the events, classes and presentations put on by many local organizations.

The Whistler Answer Has Turned 40!The Whistler Answer Has Turned 40!

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“For those tired of questions… the Whistler Answer.”

If you heard bursts of laughter and rad tunes echoing over Alta Lake on Saturday night, it wasn’t some high school house party – it was the sound of those early Whistler hippies and ski-bums partying the night away at The Point for the 40th anniversary party of the Whistler Answer.

Partygoers at The Point last Saturday, April 1 for the Answer anniversary party.

Marketing itself as the satirical flipside of the Whistler Question, the Answer was a local alternative newspaper dreamed up by Charlie Doyle, Robin Blechman and Tim Smith as a comedic response to the more serious Question.  The winter of 1977 was cold but desperately lacking in snow, causing many residents to head for warmer climates.  The Answer acted as a kind of letter from to travelling Whistlerites and catered to the town’s hippie ski-bum culture with a tongue-in-cheek style attributed by many to editor Robert “Bosco” Poitras (then Colebrook).  The early issues were created completely by hand at a local squat – hand-written, hand-drawn and hand-pasted with Scotch tape and white glue.

Publication began in 1977 and ended in 1982, although it was revived from 1992 – 1993.  Flipping through the Answer provides a window to the “Old Whistler”, an idyllic era that pre-dates our valley’s current hyper-development and insane visitor numbers.

In the same way, Saturday night’s Whistler Answer 40th Anniversary party at The Point was a wormhole to a Whistler in the days of the Answer, with all its lively local characters and a reunion performance by Foot in the Door, the band of Answer publisher Charlie Doyle, Mark Schnaidt and Rocco Bonito.

Charlie Doyle and band members perform at the Whistler Answer Benefit at the Mountain House Cabaret in 1981, during the Answer’s first run.

The night started out with a dinner of Bushwoman’s Chinese Cuisine followed by some hilarious tales from Doyle and others about the publication.  Several readers stepped up to share their favourite Answer passages – including an insightful book review of the local BC-Tel phonebook.  In the midst of these retellings, the party was crashed by three nude-suited hippies covered in bush and branch – supposedly the three individuals pictured canoeing in the Answer’s first issue front-page article: “Missing on Alta Lake”.  An auction was also held for original copies of the Whistler Answer and Whistler’s superhero comic “Localman” with proceeds going to the organizers of the event.

The first issue of the Answer featured a photo of three canoeing individuals “lost” on Alta Lake.  Find the full issue online at the link below.

Foot in the Door then took to the stage to bring back some choice tunes from the days of the Answer, to the joy of the dancing crowd.  The show also included improv acts by Get to the Point Improv and more great music by Some Assembly Required and the Skunk Cabbage Revue.

Foot in the Door reunited to perform at The Point for the Answer’s 40th Anniversary.

The packed heritage lodge was full of hugs, laughter and old friends meeting again in what can only be called the closest we’ll ever get to reigniting the spirit of the infamous Toad Hall parties we at the Museum hear so much about.

To browse all issues of the Whistler Answer in full, check out the Whistler Museum’s digitized versions of the colourful local paper: http://www.whistlermuseum.org/whistleranswer

Christmas at Rainbow Lodge: The MusicalChristmas at Rainbow Lodge: The Musical

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If you take a walk along the Village Stroll in December you’re sure to notice signs of the holiday season anywhere you look; there is snow on the ground, tree are lit up, wreaths have been hung, and beneath the voices of crowds of people strains of holiday music can be heard.  As in many communities, music plays an important part in Whistler’s holiday traditions, many of which began in the 1980s when the Whistler of today was still developing.  Events such as the Bizarre Bazaar (now the Arts Whistler Holiday Market) would not be complete without festive music in the background and for thirty-three years the Christmas Eve Carol Service has brought local residents and visitors together to sing carols as one community.  Though rarely performed, Whistler even has its own Christmas musical.

Molly Boyd with Myrtle Philip at the first performance of "Christmas at Rainbow Lodge".
Molly Boyd with Myrtle Philip at the first performance of “Christmas at Rainbow Lodge”.

“Christmas at Rainbow Lodge” was written by Bob Daly and Molly Boyd and first performed by the students of Myrtle Philip School in December 1984.  Daly was the principal of the school from 1981 to 1985 and returned to head the school twice more before retiring in 2002.  During her twelve years living in Whistler, Boyd was heavily involved in Whistler’s music scene and its holiday activities – she founded the Whistler Children’s Chorus, was involved in starting the Christmas Eve Carol Service and directed the Whistler Singers.  During December she could often be spotted leading the Singers caroling through the Village with her battery-operated keyboard balanced on a shopping cart.  The two were inspired to create a musical by Myrtle Philip’s stories of her life as an early European settler in Alta Lake as told to them over tea and Myrtle’s famous rum cake.

The musical tells the shortened and somewhat fictionalized story of how Myrtle and Alex Philip came to build Rainbow Lodge, beginning with Alex’s chance meeting of John Millar in Vancouver in 1911.  The story includes their first three-day journey to Alta Lake and meeting with loggers, trappers, railroad workers, miners and hunters who already lived or were working in the area.  Each group of people the pair meets helps them in some way as they begin settling and building.  To thank all these people for their kindness, they all are invited to share in the Philips’ first Christmas at Rainbow Lodge.

The dining room at Rainbow Lodge decorated for Christmas.
The dining room at Rainbow Lodge decorated for Christmas.

Unlike many holiday concerts, most of the music in “Christmas at Rainbow” is not about Christmas.  Instead, the majority are folk songs from the Pacific Northwest such as “Acres of Clams” and “The PGE Song”, many of which were collected by Philip J Thomas, a composer, singer, teacher and folklorist who founded the Vancouver Folk Song Circle and was instrumental in collecting and preserving the folk music of British Columbia.

Since its inaugural performance in 1984, “Christmas at Rainbow” has been performed only twice more: once by the students of the current Myrtle Philip Community School in the 1990s and once by the intermediate students of Spring Creek Community School in 2012.

Happy Holidays from the Whistler Museum!