Author: museumwhistler

Obituaries in Ice…Obituaries in Ice…

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“Hope plays a crucial role in how we notice and respond to glacial recession—not as a naïve optimism, but as a motivating force that helps communities stay engaged rather than overwhelmed. But hope reframes that experience. It reminds us that while change is happening, our actions still matter…”

– Alison Jenkins, executive director of AWARE

Alpine Club of Canada (ACC) member and longtime Whistler resident Doug Wylie has helped monitor two of our local glaciers consistently for the past two decades.

He has been visiting Wedgemount Glacier since 1984.

“I have a nice picture, actually, standing there. And ice was right in the lake. Quite a ways in the lake,” he says.

In 2011, Wylie began active annual monitoring of Wedge, joining Karl Ricker—an honorary member of the ACC, the highest rank bestowed by the esteemed organization, and part of the first team to complete the Spearhead/Fitzsimmons Traverse in 1964.

“I was really just a chain man. I would hold the end of the tape,” he recalls. “It was all very rudimentary, building with rock cairns and measuring by tape to the edge of the ice … we had no way to measure the depth and see how it was thinning. That has only happened in recent years with modern instruments.”

Wedge Glacier – Sept. 23, 2000. Wylie Collection

The Museum has an extensive collection of photographs and meticulous records gathered over the years from the accumulated observations. Records of loss, reading like obituaries.

“I think the thing that stands out is how [glacier recession has] accelerated,” remarks Wylie.

The Overlord Glacier has been another focus of long-term monitoring. Ricker first measured it in 1986, and Wylie joined him in 2006.

“Every glacier’s different,” notes Wylie, “but … the amount of recession and depth loss in the last half a dozen years has been really dramatic.”

Wylie has also photographed Blackcomb’s Horstman Glacier from the same location each September since the 1980s. “I’ve got a series of these,” he says. “It’s just a mess now … It’s all been happening quicker and quicker. That’s where hope becomes hopeless.”

I am struck hard by his remark. This from a man who continuously has a smile on his face. This from a man I first met in the backcountry, near Russet Lake. This from a man who, at the time of publication, was a week away from his 82nd birthday, and had biked in to meet me, leaving his hybrid vehicle at home: a home designed with a heat exchanger and passive solar system. This from a man who actively practices engaged activism. A man who I suspected, from his actions, was likely motivated by some form of “hope.”

Does he feel hope is hopeless? Is there any way we can reverse this? Or is he just monitoring a downward trajectory? I asked.

“You could be an optimist. You could be a pessimist. Somewhere in there is a realist,” Wylie says. When it comes to global warming and receding glaciers, “I’m a pessimistic realist,” he adds. “Or am I a realistic pessimist? Anyway, take your pick. On a global scale, we’re just not going to fix this. My grandchildren are going to suffer, right? But we still have to behave on a local scale.”

According to Alison Jenkins of AWARE, when people believe their choices can influence outcomes—even in small ways—they’re more likely to participate in climate solutions.

“Hope fuels community behaviours like choosing active transportation, reducing waste, protecting habitats, and advocating for policy change,” she says.

Both AWARE and Wylie point towards the necessity for action and advocacy from the local through to provincial, national and global changemakers. As the ice melts away and river flows dwindle, there is no one glacial recession doesn’t affect.

Photo: Karl Ricker, Bob Brett, and Doug Wylie September 6, 2020. Wylie Collection.

Crafts in the Park: Make a Coyote MaskCrafts in the Park: Make a Coyote Mask

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Welcome to our 2026 Crafts in the Park activity video on coyotes!

For this craft, you will need a printed copy of the coyote mask (linked below), scissors, string, markers, and any other materials you would like to use to decorate your mask.

Click here for printable mask.

About Coyotes

Coyotes belong to the same animal family as dogs and wolves. They are highly adaptable and can eat a wide variety of foods, including small rodents, insects, berries, and even leftovers left behind by other animals. As scavengers, coyotes play an important role in keeping the environment clean. As more people live and recreate around Whistler, encounters with coyotes have become more common. Coyotes have occasionally been known to follow people in an “escort-like” manner, guiding them out of their territory. This behaviour is more common when people are walking dogs, which coyotes may view as a threat. While coyotes are generally wary of people, they can become accustomed to humans when food is available. Coyotes are wild animals and should always be treated with caution, but there is usually no need to report them unless they are behaving aggressively.

Coyote in Whistler. Photo Courtesy Liz Barrett.

About the Program.

Crafts in the Park is presented in partnership with the Whistler Public Library, with support from the Province of British Columbia and the Resort Municipality of Whistler.

The in-person portion of the program takes place weekly from July 8 to August 19, 2026, from 11:00 a.m. to 12:00 p.m. at Florence Petersen Park. The program features nature-focused picture books and crafts for children aged six and under.

Find more Crafts in the Park activities and videos here.

A First Look at the proposed New Whistler Museum.A First Look at the proposed New Whistler Museum.

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Join us at the Whistler Museum on Wednesday, November 26 from 4–7 p.m. as we share the first look at the proposed design for the new Museum facility. This open house marks the beginning of an important stage in shaping a new home to share and preserve Whistler’s stories.

Visitors will be able to explore design renderings and panels that showcase a 15,000+ sq. ft. purpose-built, mass-timber museum. The envisioned facility will include expanded exhibition galleries, archival and research spaces, and flexible areas for programs and community events, creating a vibrant, sustainable gathering place for Whistler’s history and people.

As part of this event, we’re asking the community to share their input on the stories, themes, and what experiences they would like to see featured in the new museum facility. Feedback gathered during the evening, and through an accompanying online survey, will directly help guide the development of the exhibit content, design, and interpretation in the next phase of planning.

  • View the architectural design and exhibit concepts for the New Whistler Museum
  • Learn about sustainability, accessibility, and building features
  • Meet members of the Museum’s team and design collaborators
  • Share your ideas through short surveys and conversation stations
  • Help shape the future of Whistler’s museum experience
  • Enjoy light refreshments and snacks while connecting with museum staff and project team

This open house is the first in a series of engagement opportunities designed to ensure the new Whistler Museum reflects the voices and values of the community it serves.

Interpreting WhistlerInterpreting Whistler

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When traveling to a new place, or even exploring your own town, interpretive panels are a great way to learn about local history, wildlife, and the natural environment. These little pop-ups of information can feel a bit like VH1’s Pop-Up Video from the 2000s, which offered quick, engaging insights that added depth and context to a song or music video, much like how interpretive panels help you better understand your surroundings or see a familiar place in a new light.

Over the Whistler Museum’s 38-year history, we’ve had the opportunity to help develop many of the interpretive panels throughout the Whistler Valley. Most recently, we’ve been involved in the creation of the panels that have appeared along the Valley Trail network and throughout the Village starting in 2018, in collaboration with the Resort Municipality of Whistler. These installations have become a wonderful way to share Whistler’s stories in the very places where they unfolded, such as the history panels in Rainbow Park.

Interpretive panel located along the cultural connecter.

Beyond traditional panels, newer forms of interpretation have used technology to share stories in different ways. A great example is the Squamish Lil’wat Cultural Centre’s Cultural Journey, a self-guided audio tour and series of kiosks along the Sea to Sky Highway. Developed in 2010, it weaves together oral histories, traditional place names, and cultural knowledge from the Líl̓wat Nation and the Sk̲wx̲wú7mesh Nation. By pairing the region’s views with first-hand stories, it turns the drive between Squamish and Whistler into a richer cultural experience. More information about the tour can be found here: https://slcc.ca/cultural-journey/

Whistler’s first interpretive panels date back to 1987. Created by accomplished artist Isobel MacLaurin for the Whistler Rotary Club, these early works depicted Whistler’s landscapes, flora, and fauna. While simple in scope, mostly identifying local species, they set the foundation for what would become a long tradition of place-based interpretation in the valley.

Isobel and her husband Don MacLaurin moved to Whistler in 1961. Don, a forester and educator at BCIT, was instrumental in preserving several of Whistler’s cherished recreational areas, including Lost Lake Park. When timber licenses in the area were set to expire, developers were poised to move in. Recognizing its ecological and community value, Don worked with BC Parks to ensure the area was protected for public use, a vision that continues to benefit residents and visitors today.

One of Isobel’s hand painted signs on the Riparian trail in the Whistler Interpretive forest. 

Don also helped establish the Whistler Interpretive Forest (WIF) in the Cheakamus area during the late 1980s and 1990s. With Isobel’s distinctive artwork, the pair developed and installed interpretive signage throughout the forest. Some of these original hand-painted panels can still be found along the Riparian Trail, which was later updated and expanded with support from the Whistler Rotary Club in 2018.

At the Whistler Museum, we continue to enjoy contributing to interpretive panels throughout the valley. Each panel is a chance to build on the work started by the MacLaurins and the Rotary Club, helping residents and visitors alike deepen their understanding of this place and the stories that shape it.