Category: Arts & Artists

Art and artists made in Whistler.

‘Skiing is a Sunset Industry’‘Skiing is a Sunset Industry’

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Have you ever been told something wouldn’t work, and then tried it anyway? Luckily for everyone who enjoys Whistler, that is exactly what the early council and planners did when they were told that Whistler would never be a destination resort.

Before the development of Whistler Village, when the lifts only went from Creekside, a moratorium on development was put in place to prevent haphazard development across the region until a community plan could be completed. By 1973 speculators and developers had started to buy land throughout the valley with plans for hotels and commercial developments, individuals hoping to strike it rich by personally creating a destination resort on private land. With a background in community planning, Bob Williams, then Minister of Lands, placed the moratorium on commercial development until further studies could be completed.

Initial investigations in 1974 recommended the development of a community with a single town centre on crown land near the then-garbage dump. This site was recommended due to the close proximity to both Whistler and Blackcomb Mountains and because it was crown land, thus providing more control over the development than if the town centre was developed on private land. Absolutely critical for the success of Whistler, the report prepared by James Gilmour also recommended that a special form of local administration govern Whistler, with more planning control than a typical municipality to ensure that the resort met the expectations and needs of the province. Following this, the Resort Municipality of Whistler Act was introduced in 1975, and the first local council elected and sworn in that same year.

The site of Whistler Village in 1979. The incredible growth of Whistler has certainly gone against the opinions of many experts who believed the conditions were wrong for a destination resort. Whistler Question Collection.

Continuing as per provincial government recommendations, the community plan was developed and shared for community consultation in L’Après in January 1976. After much friction and to-and-fro, the community plan was approved and the council could get on with planning the Whistler Town Centre. In 1977/78 consultants were brought in from around North America, including Stacy Stanley, SnoEngineering and others, to examine trends within the snow industry. The team of expert consultants examined trends, tracking baby boomers and came to the conclusion that “one of the sad things about skiing, is that it is a sunset industry”.

According to Jim Moodie, one of the project managers from Sutcliffe, Griggs and Moodie, there were some other big strikes against Whistler that they were warned about. “Some of the reports looked at Whistler and said ‘as a destination resort you’re in trouble because Vancouver isn’t an International Airport. You’re at the end of a really crappy road. And you’re in a coastal climate zone where it rains most of the time’. We said ‘yeah, that’s cool, but we’re going to have a ski resort’.”

Skiing on Whistler Mountain when there were two t-bars at the top. Expert consultants in the 1970s predicted that the popularity of skiing would only decrease in the future as the population aged. Whistler Mountain Collection.

Despite these reports, the council was unfazed. On the 21st of August, 1978 over a hundred locals and visiting members of the press celebrated the beginning of construction for the new Whistler Village Town Centre. As well as driving the bulldozer to turn the first soil, Mayor Pat Carleton chaired a conference for media personnel where he noted that “one of the best ski area resorts in North America isn’t good enough for me…To be number one just takes a little longer.” And so it did. Whistler was voted number one ski resort in North America in 1992 by Snow Country Magazine, starting a flow of accolades and number one rankings.

Even the experts could not predict the future, with snowboarding, freestyle skiing and mountain biking all adding to the numbers and allure of our destination resort. Today the tourism challenges facing Whistler are very different to the days when we worried that no one would visit.

Pat Carleton and Whistler’s movers and shakers showing the BC Provincial Government around the village under construction in September 1980. Whistler Question Collection.

Dusty’s Infamous Opening and Closing PartiesDusty’s Infamous Opening and Closing Parties

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The events at Dusty’s are legendary; staff parties with the band playing from the roof, the celebration after Rob Boyd’s World Cup win in 1989, end of season parties, dressing up for theme nights, and scavenger hunts. Even amongst these events the opening and closing parties at Dusty’s stand out.

Dusty’s opened in 1983, after Whistler Mountain took over food and beverage on the mountain and redeveloped and rebranded L’Après. The massive opening celebration aimed to show off the new facility to the community, with a guest list stacked with ‘local dignitaries’ including Whistler Mountain and Blackcomb Mountain management, the RMOW, and local clergy.

Sue Clark serving cold drinks at Dusty’s. Whistler Mountain Collection.

Throughout the night the celebration ended up showing off a lot more than just the facility. As one version of this now-infamous event goes, right as the Reverend was blessing the new venue, Lady Godiva jumped ‘bareback’ onto the stuffed Dusty’s horse, shirt waving in the air like a lasso. With that, a legend was born and the new Whistler was open for business.

Dusty’s went on to become a popular spot for live music and a testing ground for up and coming entertainment, including the Poppy Family, and Doug and the Slugs. In 2000 it was announced that Creekside was to be redeveloped, including the demolition of Dusty’s. In honour of the incredible music scene, live music played each night in the week leading up to ‘Dusty’s Last Stand’ in April 2000.

Local rock band Foot in the Door at Dusty’s in 1984. Whistler Question Collection.

The final weekend brought with it a disco party, retro fashion show, a prize for the person with the most Whistler Mountain passes, and of course, more live music. Local favourites who took the Dusty’s stage ‘one last time’ included Guitar Doug, Steve Wright, Dark Star, Pete and Chad and the Whole Damn County, and the Hounds of Buskerville.

Starting early in the afternoon, the crowds built until servers were required to walk a hundred metres up the base of Whistler Mountain to deliver orders. Once the sun set, the eager crowd dispersed or relocated inside. With the saloon packed with over 2000 people it was a sight to be seen, the mosh pit and stage diving like no other. The crowd was so wild that management nearly stopped the last band from taking the stage. Even with the twenty additional security personnel brought in specifically for the event, it was still difficult to manage the crowd intent on sending Dusty’s out in style.

Crowds also spilled out of Dusty’s during Whistler Mountain’s 20th Anniversary Celebration. Local legend Seppo can be seen on the far left. Whistler Question Collection.

With so much of Whistler’s history made in L’Après and Dusty’s, everyone was encouraged to record their memories before and during the event. Those with particularly fond memories were stealing tables and chairs as souvenirs, and there were some arrests in the afternoon and evening, including a snowboarder carrying on the local tradition of celebrating sans clothing. Rumours had been swirling that people were planning on burning the building down before it could be demolished but thankfully the gas canisters were found outside before anything happened.

Despite these few hiccups, according to David Perry, Vice-President of Sales and Marketing for Whistler Blackcomb, “It was probably the best party this valley has ever seen”. For a party town like Whistler, that is a big call. Within hours of the party ending the area was fenced off for demolition.

The story of Dusty’s does not end there. Only eight months later the modern Dusty’s had it’s ‘grand re-opening’ and playing on the new stage was none other than Guitar Doug’s band, the Hairfarmers.

Now that Dusty’s has reopened for the winter season the Hairfarmers will again be gracing the stage on Tuesday and Saturday each week, continuing the live music tradition.

Do you have any photos of L’Après or Dusty’s? We would love to add to our archives!

A Bizarre FundraiserA Bizarre Fundraiser

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There are many options when it comes to holiday shopping in Whistler and, for many, craft fairs and markets are looked forward to as an opportunity to fine something unique while supporting local artists. For many years, the best known craft market in Whistler was the Bizarre Bazaar.

Ten years before the first Bizarre Bazaar was organized by the Whistler Community Arts Council (now called Arts Whistler) in 1987, the Alta Lake Community Club (ALCC) began hosting their annual Fall Fair fundraiser for the Club where local artists could sell handmade crafts among other activities. The first Fall Fair in 1977 was held in the gym of Myrtle Philip School and was so successful that it made a profit in its first year. By 1985, the Fall Fair had grown large enough that it moved into the recently opened Conference Centre.

Christmas decorations are sold at the Alta Lake Community Club’s Fall Fair in 1984. Some tables at the Bizarre Bazaar would have looked similar. Whistler Question Collection, 1984

Like the Fall Fair, the Bizarre Bazaar began in the Myrtle Philip School gym as a fundraiser, this one to support the Whistler Children’s Art Festival. At the time, the Arts Council was still young (Arts Whistler celebrated their 40th year of operations this year), had no office space, and was run by a group of dedicated and hands-on board members and volunteers, including Gail Rybar who coordinated the first Bizarre Bazaar in 1987.

Held on December 5, 1987 the first Bizarre Bazaar included sales of local arts, crafts and food, a raffle, live entertainment from flautist Dorothy Halton and Celtic harpist Theodore Gabriel, lunch and dinner, a “beverage garden,” children’s craft workshops with Pene Domries, and photos with Santa. Like the Fall Fair of the ALCC, the first year of the Bizarre Bazaar was reportedly a success and raised enough money to fund the Children’s Art Festival in 1988. According to long time Arts Council board member Joan Richoz, however, the first year was not without its challenges.

Gail Rybar, organizer of the first Bizarre Bazaar in 1987. Whistler Question Collection, Bonny Makarewicz, 1993

Looking back over 25 years of Bizarre Bazaars in 2013, Richoz recalled that the volunteer organizers had to put long hours and a lot of effort into the first market. They had borrowed tables from the Delta Mountain Inn (now the Hilton) and, though the hotel was located not far from the school had to transport the tables over snowbanks. A heavy snow on December 4 meant that some vendors from outside of Whistler were not able to make it, while others left the market early in order to make it home. Volunteers set up stalls and workshops and even made chili so that everyone working the market would have dinner to eat.

In the following years, the Bizarre Bazaar grew and also came to include a bake sale fundraiser for the Whistler Museum & Archives Society. Museum volunteers including Florence Petersen, Joan Deeks, Lil Goldsmid, Isobel MacLaurin, Kathy Macalister, Shirley Langtry, Viv Jennings, Darlyne Christian and more would spend weeks ahead of the market baking in order to raise money for the organization. Other community groups also got involved, with the Girl Guides running activities, the Whistler Community Services Society operating the food concession, the Whistler Public Library selling tickets to their own annual fundraiser, and both the Whistler Singers and the Whistler Children’s Chorus performing seasonal numbers.

When a new Myrtle Philip Community School opened on Lorimer Road in 1992, the Bizarre Bazaar moved with it and continued to run out of the school gym until 1996 when it moved into the Conference Centre. In the 2000s, the market continued to expand and change, moving to a weekend in November, partnering with Bratz Biz (a youth artisan market for local young entrepreneurs) in 2006, occasionally switching location to the Westin Resort, and changing its name to the Arts Whistler Holiday Market.

Mary Jones inspects one of the delicate and exquisitely crafted small wood boxes by Mountenay of Squamish at the 1994 Bizarre Bazaar. Whistler Question Collection, Bonny Makarewicz, 1994

This winter, though there is no Bizarre Bazaar or Arts Whistler Holiday Market, Bratz Biz and the Whistler Artisan Market will be taking place in the Upper Village on November 26 & 27. If you’re in search of archival images of Whistler, we will be at the Whistler Artisan Market and can’t wait to see you there!

Whistler’s First Children’s FestivalWhistler’s First Children’s Festival

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In a town known for festivals featuring mountain bikes, snowsports, and fine dining, you might be surprised to learn that the longest running festival in Whistler began as a way to expose local and visiting children to different forms of visual and performing arts.

The first Whistler Children’s Art Festival was held in 1983, just one year after the Whistler Community Arts Council (now known as Arts Whistler, who are celebrating their 40th anniversary this year!) was formed in 1982. In February 1983, the Arts Council began planning for what they hoped would be the first of many Children’s Art Festivals. Over the next few months, a committee of fourteen volunteers led by Margaret Long spent many hours planning for the two-day event.

The planning committee of volunteers meets to plan the 1995 Whistler Children’s Art Festival. Whistler Question Collection, 1995.

The first festival was a combination of hands-on workshops, performances, and author readings, as well as an art show at Blackcomb Lodge featuring works for children by professional artists. Over June 18 and 19, children could attend 38 workshop sessions at Myrtle Philip School, then located next to the Whistler Village. The workshops were mainly led by artists and instructors from Whistler and Vancouver and included pottery, banner making, mask making, photography, writing, and, of course, painting and sketching with Isobel MacLaurin. Other activities included face painting, a flower painting contest on the nearby plywood construction fences (in 1983 there were still quite a few lots under construction in the first part of the Village to be developed), readings, karate demonstrations, and performances by the Celestial Circus, Pied Pear, and a children’s choir under the direction of Molly Boyd.

A shirt-printing workshop takes place in Myrtle Philip School during the 1991 Whistler Children’s Art Festival. Whistler Question Collection, 1991.

According to Long, all but two of the workshop sessions were filled to capacity and one parent told the Whistler Question that their children were so excited for the festival they barely slept the night before. From the thank yous printed in the local paper after the festival, it was clearly a community event with support from hundreds of volunteers and many of the local businesses.

The success of the first Whistler Children’s Art Festival led to an even bigger festival in 1984. More than 65 workshops were offered for a small fee, including many of the favourites from the year before. Setsuko Hamazaki led an origami workshop while Penny Domries led a graffiti workshop; Arlene Byne taught children how to paint their faces while Cecilia Mavrow taught others about writing poetry. Under the Whistler Resort Association’s brightly striped tent in Village Square, groups listened to stories from authors such as Robert Munsch, Elizabeth Brockmann, Graham Walker, and Linda Lesch and watched acts including the Extraordinary Clown Band and breakdancers in Jane Bailey’s dance company.

A performance takes place in Village Square during the 1985 Whistler Children’s Art Festival. Whistler Question Collection, 1986.

The festival continued to grow throughout he 1980s, though they began to run out of space to hold workshops. In June 1993, the eleventh festival moved to a new location in the new, larger Myrtle Philip School on Lorimer Road where about 130 workshop sessions were offered. In 2005, the festival moved to Creekside and in more recent years (not including the past two, when it has been held online) the festival has returned to the Whistler Village. Though the original school may be long gone, there are still many familiar elements to the festival, which, this year, is taking place over two weekends (that past two weekends, May 21-22 and 28-29).